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L’invitation au voyage

Mélodies from La belle époque

John Mark Ainsley (tenor) & Graham Johnson (piano), Paul (1852–1933) & Lucien (1860–1909) Hillemacher

L’invitation au voyage

Awards:

There are some fine songs here. I was glad… to be reminded what a good composer Delibes is, and to be introduced to Lecocq's wonderfully witty settings of La Fontaine. The actual piano sound...

L’invitation au voyage

Mélodies from La belle époque

John Mark Ainsley (tenor) & Graham Johnson (piano), Paul (1852–1933) & Lucien (1860–1909) Hillemacher

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Awards:

There are some fine songs here. I was glad… to be reminded what a good composer Delibes is, and to be introduced to Lecocq's wonderfully witty settings of La Fontaine. The actual piano sound...

About

This latest recital from the eternal spring of Graham Johnsons pioneering research is entitled Linvitation au voyage (four settings of the famous Baudelaire text are included) and takes us on a fascinating armchair tour of twenty-four melodies from La belle epoque, that period of settled and comfortable life in France preceding the First World War (Oxford Dictionary of Phrase and Fable). No fewer than eight composers are new to the Hyperion catalogue, already so rich in French song, and while these microcosms of salon charm are rarely sublime, every note is eminently civilise. So change the wallpaper for something a bit more fin de sicle, allow yourself to join Graham Johnson and the exquisite John Mark Ainsley for a magical hour-and-a-half (time allowed for the refilling of glasses, of course). Comprehensively annotated and generously illustrated, this new addition to The Hyperion French Song Edition is essential for anyone with a care for a time when nothing really mattered.

Contents and tracklist

II. La cigale et la fourmi
Track length1:49
No ?. La chauve-souris et les deux belettes
Track length3:23
X. Le spectre de la rose
Track length4:46
XIV. Oh! quand je dors
Track length2:39

Awards and reviews

  • Gramophone Magazine
    August 2006
    Editor's Choice

July 2006

There are some fine songs here. I was glad… to be reminded what a good composer Delibes is, and to be introduced to Lecocq's wonderfully witty settings of La Fontaine. The actual piano sound is for me a touch prosaic at times, but this is compensated by John Mark Ainsley's absolute control and superb diction... A disc to treasure.
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