Tiempo certainly likes to live dangerously and challenge conventional wisdom. From the first bars of Pictures, one's eyebrows might be raised at the unusually fast pace of the visitor to the gallery - but allegro giusto is what Mussorgsky asks for an what Mussorgsky gets. ...if you like character, conviction and imagination in a pianist, then Tiempo's tour of the exhibition is an enthralling and often exhilarating experience. The three Nocturnes could almost pass as improvisations. As an illustration of discriminating tone and touch they could hardly be bettered. These are qualities that serve Tiempo well in Gaspard, one of the most compelling and dramatic accounts since that of his mentor Martha Argerich...