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Special offer. Vaughan Williams: The Wasps

Henry Goodman (narrator)

Hallé Orchestra & Chorus, Mark Elder

Vaughan Williams: The Wasps

Awards:

This recording has just about everything: robust comedy, sharp wit, sensuous delight, emotional uplift and food for thought all in one package.

Special offer. Vaughan Williams: The Wasps

Henry Goodman (narrator)

Hallé Orchestra & Chorus, Mark Elder

Purchase product

2 CDs

Original price $23.50 Reduced price $17.62

This item is currently out of stock at the UK distributor. You may order it now but please be aware that it may be six weeks or more before it can be despatched.

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From Original price $9.00 Reduced price $6.25

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Audio formats guide

44.1 kHz, 16 bit, FLAC/ALAC/WAV

Original price ($12.00) Reduced price $8.50

320 kbps, MP3

Original price ($9.00) Reduced price $6.25

No digital booklet included

Stream now lossless, 44.1 kHz, 16 bit

Awards:

This recording has just about everything: robust comedy, sharp wit, sensuous delight, emotional uplift and food for thought all in one package.

About

Following the internationally successful releases on the Hallé Label of recordings of works by Elgar and other British composers, Mark Elder and the Hallé announce the world premiere recording of Vaughan Williams's The Wasps in a new performing edition prepared by David Pountney.

* The recording is supported by the Vaughan Williams Estate and is produced in association with BBC Radio 3.

* Written in 1909 for a Cambridge University performance in Greek of the comic satire 'The Wasps' by Aristophanes.

* The full score is astonishingly theatrical and blends melodrama with satire and light-hearted music, including patter songs and dances, with great skill.

* This world premiere recording features the play presented in a new performing version with text translated for the first time into English and prepared by the writer and opera director, David Pountney.

* The recording features Henry Goodman as the narrator; a virtuoso part requiring the portrayal of many roles including the protagonist Procleon and the antagonist, his son.

* This two-CD set features the full score of eighty minutes and Pountney's incorporated dialogue of some twenty-five minutes, plus the well-known Wasps Suite.

Contents and tracklist

No. 1, Overture
Track length9:39
Procleon "Bastard! Bloody Lickspittle!"
Track length4:01
No. 2 Introduction "Nocturne"
Track length1:20
No. 3, Melodrama and Chorus
Track length6:15
No. 4, Chorus "The Wasps' Serenade"
Track length5:54
Procleon "Boys, Your Song Brings Tears to My Eyes..."
Track length1:02
No. 5, Chorus "When We Buzz ..."
Track length0:44
Procleon "Then All Hell Breaks Loose"
Track length0:32
No. 6, Chorus "If You Survive Your Sixtieth Year..."
Track length1:35
Procleon "Imagine How it Feels..."
Track length1:51
No. 7, Melodrama and Chorus
Track length2:28
Procleon "So Sandra Starts in..."
Track length2:44
No. 8, Melodrama and Chorus
Track length5:54
No. 9, Entr'acte and Introduction
Track length2:50
Procleon, "Well, I was in the Depths of Depression…"
Track length1:15
No. 10, Melodrama and Chorus
Track length6:55
Padre "Let the Jury be Seated"
Track length1:07
No. 11, March Past of the Witnesses
Track length1:31
Procleon, "So, Wok, What's the Evidence?"
Track length2:04
No. 12, Chorus "Parabasis"
Track length21:15
This track is only available as an album download.
No. 13, Entr'acte
Track length4:24
Procleon "So, How Do You Like My New Outfit?"
Track length0:59
No. 14, Chorus "His Army Cloak, His Field Canteen…"
Track length4:33
No. 15, Melodrama "Out of My Way…"
Track length0:36
Procleon "Great Wine They Had at That Dinner!"
Track length2:03
No. 16, Melodrama "Ta-ratata-ta…"
Track length1:21
No. 17, Melodrama "I Must Be Dreaming!"
Track length1:51
No. 18, Chorus and Dance
Track length8:36

Awards and reviews

  • Record Review
    December 2006
    Critics Disc of the Year

May 2006

This recording has just about everything: robust comedy, sharp wit, sensuous delight, emotional uplift and food for thought all in one package.

July 2006

…there's abundant pleasure and intrigue to be had in spotting the folk tunes (both real and suggested), witty snatches of other composers (Debussy, Parry, Mendelssohn and Lehár) as well as frequent glimpses of greater achievements to come - witness the extended (21 minute) choral 'Parabasis' that concludes Act 2. I'm happy to report that Mark Elder and his combined Hallé forces (who have been most realistically captured by the microphones) enter the fray with customary polish and infectious gusto.
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