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Schumann: Carnaval, Papillons & Fantasiestücke

Marc-André Hamelin (piano)

Awards:

Hamelin's combination of fleet-fingered delicacy and compelling drive suit Schumann's aesthetic ideally; but best of all is his gleeful sense of storytelling. He brings the masked ball guests...

Schumann: Carnaval, Papillons & Fantasiestücke

Marc-André Hamelin (piano)

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This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit

Awards:

Hamelin's combination of fleet-fingered delicacy and compelling drive suit Schumann's aesthetic ideally; but best of all is his gleeful sense of storytelling. He brings the masked ball guests...

About

Broadly speaking Schumann wrote two different kinds of piano work: large-scale abstract works in traditional forms such as sonata and variation; and works in a genre he created himselfthe suite of small character pieces united by an emotional thread, often taking their inspiration from literature. The three works on this disc fall into the latter category and the programme opens with Papillons, only his second published work and arguably his first masterpiece. Its inspiration seems to come from the description of a masked ball in the novel Flegeljahre by Jean Paul. Carnaval inhabits the same world as Papillons but on a larger scale (they even share the same tune in their finales); it is probably Schumanns most popular piano work and has been recorded by all the great pianists from Rachmaninov onwards. Fantasiestucke takes its inspiration from E T A Hofmann and is perhaps a more inward-looking cycle. All these works are cornerstones of the Romantic piano repertoire but Marc-Andre Hamelin need fear no comparison with his illustrious predecessors. There is a rare poetry and spontaneity in these performances, particularly that of Carnaval which Marc-Andre recorded as an afterthought in just a few takes when he finished a booked recording session early. Marc-Andres previous Schumann CD received excellent reviewsthis one is even better!

Contents and tracklist

I. Introduzione
Track length00:15
II. No 1
Track length00:37
III. No 2: Prestissimo
Track length00:19
IV. No 3
Track length00:47
V. No 4: Presto
Track length00:45
VI. No 5
Track length1:23
VII. No 6
Track length00:52
VIII. No 7: Semplice
Track length00:57
IX. No 8
Track length1:00
X. No 9: Prestissimo
Track length00:42
XI. No 10: Vivo
Track length2:00
XII. No 11
Track length2:52
XIII. No 12: Finale
Track length2:01
I. Des Abends
Track length5:18
II. Aufschwung
Track length3:24
III. Warum?
Track length3:01
IV. Grillen
Track length3:12
V. In der Nacht
Track length4:24
VI. Fabel
Track length2:43
VII. Traumes Wirren
Track length2:21
VIII. Ende vom Lied
Track length4:39
I. Préambule: Quasi maestoso
Track length2:21
II. Pierrot: Moderato
Track length1:49
III. Arlequin: Vivo
Track length1:05
IV. Valse noble: Un poco maestoso
Track length1:30
V. Eusebius: Adagio
Track length2:09
VI. Florestan: Passionato
Track length00:58
VII. Coquette: Vivo
Track length1:35
VIII. Réplique: L'istesso tempo – Sphinxes
Track length00:53
IX. Papillons: Prestissimo
Track length00:41
X. ASCH–SCHA (Lettres dansantes): Presto
Track length00:49
XI. Chiarina: Passionato
Track length1:52
XII. Chopin: Agitato
Track length1:04
XIII. Estrella: Con affetto
Track length00:25
XIV. Reconnaissance: Animato
Track length1:39
XV. Pantalon et Colombine: Presto
Track length00:54
XVI. Valse allemande: Molto vivace
Track length00:53
XVII. Paganini (Intermezzo): Presto
Track length1:35
XVIII. Aveu: Passionato
Track length1:06
XIX. Promenade: Comodo
Track length2:25
XX. Pause: Vivo
Track length00:17
XXI. Marche des Davidsbündler contre les Philistins: Non allegro
Track length3:36

Awards and reviews

December 2005

Hamelin's combination of fleet-fingered delicacy and compelling drive suit Schumann's aesthetic ideally; but best of all is his gleeful sense of storytelling. He brings the masked ball guests in Papillons and Carnaval to life with the deft vividness of an award-winning film director.
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