…Martin Roscoe has compiled a programme that serves to underline the composer's extraordinary journey from conventional late-Romanticism via the complex and almost mystic impressionism of the Third Sonata to the quasi-Bartókian absorption of Polish folk idioms in the late Mazurkas. Needless to say he has the full measure of these different styles, providing a beautifully velvet sound in the largely contemplative Op. 1 Preludes and effecting a considerable diversity of character and touch in the Variations in B flat minor.