Special offer. Verdi: Attila
Cristina Deutekom, Carlo Bergonzi, Ruggero Raimondi & Sherill Milnes
Royal Philharmonic Orchestra, Lamberto Gardelli
An absolute classic… As the terrible Hun, Ruggero Raimondi has one of the finest parts… what makes this essential listening is the duo of Carlo Bergonzi and Christina Deutekom. Bergonzi,...
Special offer. Verdi: Attila
Cristina Deutekom, Carlo Bergonzi, Ruggero Raimondi & Sherill Milnes
Royal Philharmonic Orchestra, Lamberto Gardelli
Purchase product
An absolute classic… As the terrible Hun, Ruggero Raimondi has one of the finest parts… what makes this essential listening is the duo of Carlo Bergonzi and Christina Deutekom. Bergonzi,...
About
Contents and tracklist
- Ruggero Raimondi (bass), Ricardo Cassinelli (tenor), Cristina Deutekom (soprano), Sherrill Milnes (baritone), Carlo Bergonzi (tenor)
- Royal Philharmonic Orchestra, Ambrosian Singers, Finchley Children’s Music Group
- Lamberto Gardelli
- Recorded: 1972-07
- Recording Venue: Wembley Town Hall, London
- Cristina Deutekom (soprano), Carlo Bergonzi (tenor), Ruggero Raimondi (bass), Ricardo Cassinelli (tenor), Jules Bastin (bass)
- Royal Philharmonic Orchestra, Ambrosian Singers, Finchley Children’s Music Group
- Lamberto Gardelli
- Recorded: 1972-07
- Recording Venue: Wembley Town Hall, London
- Sherrill Milnes (baritone), Carlo Bergonzi (tenor), Ruggero Raimondi (bass), Cristina Deutekom (soprano), Ricardo Cassinelli (tenor)
- Royal Philharmonic Orchestra, Ambrosian Singers, Finchley Children’s Music Group
- Lamberto Gardelli
- Recorded: 1972-07
- Recording Venue: Wembley Town Hall, London
- Carlo Bergonzi (tenor), Ricardo Cassinelli (tenor), Sherrill Milnes (baritone), Cristina Deutekom (soprano), Ruggero Raimondi (bass)
- Royal Philharmonic Orchestra, Ambrosian Singers, Finchley Children’s Music Group
- Lamberto Gardelli
- Recorded: 1972-07
- Recording Venue: Wembley Town Hall, London
Awards and reviews
December 2005
An absolute classic… As the terrible Hun, Ruggero Raimondi has one of the finest parts… what makes this essential listening is the duo of Carlo Bergonzi and Christina Deutekom. Bergonzi, then in his 49th year, phrases each aria and duet with such elegance and fervour that he transforms Foresto, often dismissed as a cipher, into a passionate character. When it is performed like this, Attila seems to be one of the very strongest of all the early Verdi operas.