Mahler: Complete Symphonies
Melanie Diener (soprano - No. 2), Barbara Bonney (soprano - No. 4), Petra Lang (mezzo - Nos. 2 & 3), Jane Eaglen, Anne Schwanewilms, Ruth Ziesak (sopranos - No. 8), Sara Fulgoni, Anna Larsson (contraltos - No. 8), Ben Heppner (No. 8), Peter Mattei (baritone - No. 8), Jan-Hendrik Rootering (bass...
Chailly's strong, satisfying approach to Mahler, without eccentricity, is supported by the superb playing of the Royal Concertgebouw Orchestra throughout and the demonstration quality of the...
Mahler: Complete Symphonies
Melanie Diener (soprano - No. 2), Barbara Bonney (soprano - No. 4), Petra Lang (mezzo - Nos. 2 & 3), Jane Eaglen, Anne Schwanewilms, Ruth Ziesak (sopranos - No. 8), Sara Fulgoni, Anna Larsson (contraltos - No. 8), Ben Heppner (No. 8), Peter Mattei (baritone - No. 8), Jan-Hendrik Rootering (bass...
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Chailly's strong, satisfying approach to Mahler, without eccentricity, is supported by the superb playing of the Royal Concertgebouw Orchestra throughout and the demonstration quality of the...
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Contents and tracklist
- Royal Concertgebouw Orchestra
- Riccardo Chailly
- Recorded: 1995-05
- Recording Venue: Concertgebouw, Grote Zaal, Amsterdam
- Petra Lang (mezzo-soprano), Melanie Diener (soprano)
- Royal Concertgebouw Orchestra, Prague Philharmonic Chorus
- Riccardo Chailly
- Recorded: 2001-11
- Recording Venue: Concertgebouw, Grote Zaal, Amsterdam
4. "O Röschen rot! Der Mensch liegt in grösster Not!" (Sehr feierlich aber schlicht) Text from Des Knaben Wunderhorn: "Urlicht"
Track length5:34
- Ivan Meylemans (trombone), Frits Damrow (posthorn), Petra Lang (contralto)
- Royal Concertgebouw Orchestra, Netherlands Children's Choir, Prague Philharmonic Choir
- Riccardo Chailly
- Recorded: 2003-05-05
- Recording Venue: Concertgebouw, Grote Zaal, Amsterdam
- Barbara Bonney (soprano)
- Royal Concertgebouw Orchestra
- Riccardo Chailly
- Recorded: 1999-09-16
- Recording Venue: Concertgebouw, Grote Zaal, Amsterdam
- Peter Masseurs (trumpet), Jakob Slagter (french horn)
- Royal Concertgebouw Orchestra
- Riccardo Chailly
- Recorded: 1997-10
- Recording Venue: Concertgebouw, Grote Zaal, Amsterdam
1. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftlich. Wild - Tempo I)
Track length12:52
- Royal Concertgebouw Orchestra
- Riccardo Chailly
- Recorded: 1989-10
- Recording Venue: Concertgebouw, Grote Zaal, Amsterdam
- Royal Concertgebouw Orchestra
- Riccardo Chailly
- Recorded: 1994-04-15
- Recording Venue: Concertgebouw, Grote Zaal, Amsterdam
- Jan-Hendrik Rootering (bass), Jane Eaglen (soprano), Peter Mattei (baritone), Ruth Ziesak (soprano), Anne Schwanewilms (soprano), Ben Heppner (tenor), Sara Fulgoni (mezzo-soprano), Anna Larsson (contralto), Vesko Eshkenazy (violin)
- Royal Concertgebouw Orchestra, Netherlands Radio Choir, Prague Philharmonic Chorus, Jongenskoor Van Het Sacramentskoor, Breda, Jongens en meisjes van het Kathedrale Koor St.Bavo, Haarlem
- Riccardo Chailly
- Recorded: 2000-01
- Recording Venue: Concertgebouw, Grote Zaal, Amsterdam
- Peter Mattei (baritone), Jan-Hendrik Rootering (bass), Anne Schwanewilms (soprano), Ben Heppner (tenor), Vesko Eshkenazy (violin), Sara Fulgoni (mezzo-soprano), Anna Larsson (contralto), Jane Eaglen (soprano), Ruth Ziesak (soprano)
- Royal Concertgebouw Orchestra, Netherlands Radio Choir, Prague Philharmonic Chorus, Jongenskoor Van Het Sacramentskoor, Breda, Jongens en meisjes van het Kathedrale Koor St.Bavo, Haarlem, Jongenskoor van het Kathedrale Koor St. Bavo, Netherlands Chamber Choir
- Riccardo Chailly
- Recorded: 2000-01
- Recording Venue: Concertgebouw, Grote Zaal, Amsterdam
- Royal Concertgebouw Orchestra
- Riccardo Chailly
- Recorded: 2004-06-14
- Recording Venue: Concertgebouw, Grote Zaal, Amsterdam
- Berlin Radio Symphony Orchestra
- Riccardo Chailly
- Recorded: 1986-10
- Recording Venue: Jesus-Christus-Kirche, Berlin
Awards and reviews
2010
Chailly's strong, satisfying approach to Mahler, without eccentricity, is supported by the superb playing of the Royal Concertgebouw Orchestra throughout and the demonstration quality of the Decca sound, never more remarkable than in the dedicated account of the Resurrection Symphony.