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Rawsthorne - Symphonies Nos. 1-3

Charlotte Ellett (soprano)

Bournemouth Symphony Orchestra, David Lloyd Jones

Conductor David Lloyd-Jones's approach is thoughtful and serious, but not over-dramatic, drawing control and detail from all sections of the Bournemouth Symphony Orchestra. They respond with...

Rawsthorne - Symphonies Nos. 1-3

Charlotte Ellett (soprano)

Bournemouth Symphony Orchestra, David Lloyd Jones

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This release includes a digital booklet

Stream now Hi-RES 44.1 kHz, 24 bit
Conductor David Lloyd-Jones's approach is thoughtful and serious, but not over-dramatic, drawing control and detail from all sections of the Bournemouth Symphony Orchestra. They respond with...

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Contents and tracklist

I. Allegro tempestuoso
Track length7:10
II. Allegro
Track length7:54
III. Allegro non troppo
Track length3:35
IV. Poco maestoso - Allegro risoluto
Track length6:07
I. Allegro piacevole
Track length6:24
II. Poco lento e liberamente
Track length5:23
III. Country Dance (Allegro giocoso)
Track length3:08
IV. Andante
Track length4:50
I. Allegro
Track length7:54
II. Alla sarabanda (Andantino)
Track length8:24
III. Scherzo (Allegro molto)
Track length4:28
IV. Allegro risoluto
Track length9:45

Awards and reviews

15th February 2005

Conductor David Lloyd-Jones's approach is thoughtful and serious, but not over-dramatic, drawing control and detail from all sections of the Bournemouth Symphony Orchestra. They respond with some fine, committed playing, a testament to the fine quality of this orchestra.

2010

David Lloyd-Jones directs Rawsthorne's three symphonies with evident conviction, and secures a consistently enthusiastic and spruce response from the Bournemouth SO. He improves on Sir John Pritchard's 1975 Lyrita account of the terse, immaculately scored First Symphony (1950), bringing elegant proportion and thrusting purpose. As for its luminous and poignant successor, A Pastoral Symphony (1959), honours are more equally divided. Lloyd-Jones distils rather more in the way of gentle melancholy, whereas Nicholas Braithwaite and the LPO on Lyrita achieve the greater poise.
Norman Del Mar's BBC SO version of the imposing Third (1964) has done sterling service down the years, but Lloyd-Jones fully matches its blazing commitment, tying up the symphonic threads to even more clinching effect in the finale (whose peaceful coda recalls material from the opening movement), while distilling every ounce of brooding atmosphere and forceful emotion from the stately tread of the second movement 'Alla Sarabanda'.
A touch of rawness aside, the recording is hugely vivid, offering a pretty much ideal combination of bite and amplitude. The disc represents irresistible value for money.
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