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Stravinsky: Instrumental Works

Stuttgart Chamber Orchestra, Dennis Russell Davies

Stravinsky: Instrumental Works
…Apollon Musagète is the most substantial work on the disc, and the performance is characterised by impeccable balance, lithe phrasing and some effective solo playing, especially from the leader....

Stravinsky: Instrumental Works

Stuttgart Chamber Orchestra, Dennis Russell Davies

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…Apollon Musagète is the most substantial work on the disc, and the performance is characterised by impeccable balance, lithe phrasing and some effective solo playing, especially from the leader....

About

Contents and tracklist

I. Asciugate i begli occhi
Track length2:18
II. Ma tu, cagion di quella
Track length1:56
III. Beltà poi che t´assenti
Track length2:32
I. Marche – Introduction
Track length1:58
II. Pas d'action
Track length3:27
III. Thème varié: a. Theme
Track length1:46
III. Thème varié: b. Var. 1. Allegretto
Track length1:32
III. Thème varié: c. Var. 2. Scherzando
Track length1:22
III. Thème varié: d. Var. 3. Andantino
Track length2:16
III. Thème varié: e. Var. 4. Tempo giusto
Track length1:13
IV. Pas de deux
Track length4:54
V. Marche – Conclusion
Track length0:58
I. Vivace
Track length6:26
II. Arioso. Andantino
Track length2:40
III. Rondo. Allegro
Track length3:32
I. Birth of Apollo
Track length4:41
II. Variation of Apollo (Apollo and the Muses)
Track length2:38
III. Pas d'action (Apollo and the Three Muses)
Track length4:03
IV. Variation of Calliope (The Alexandrine)
Track length1:26
V. Variation of Polyhymnia
Track length1:21
VI. Variation of Terpsichore
Track length1:37
Variation d'Apollon Lento
Track length2:19
VIII. Pas de deux (Apollo and Terpsichore)
Track length4:22
IX. Coda
Track length3:34
X. Apotheosis
Track length3:17

Awards and reviews

May 2005

…Apollon Musagète is the most substantial work on the disc, and the performance is characterised by impeccable balance, lithe phrasing and some effective solo playing, especially from the leader. More than that, it really dances, with lightness and elegance in the variations for Polyhymnia and Terpsichore, and affectionate melodic lines in the 'Pas de deux'.
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