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Mozart: Arias

Cecilia Bartoli

Wiener Kammerorchester, György Fischer

Mozart: Arias
Mozart wrote some of his most appealing music for the mezzo-soprano voice with the roles of Cherubino and Susanna in Le nozze di Figaro, Dorabella in Così fan tutte and Zerlina in DonGiovanni...

Mozart: Arias

Cecilia Bartoli

Wiener Kammerorchester, György Fischer

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Mozart wrote some of his most appealing music for the mezzo-soprano voice with the roles of Cherubino and Susanna in Le nozze di Figaro, Dorabella in Così fan tutte and Zerlina in DonGiovanni...

About

Contents and tracklist

No. 6, Non so più cosa son, cosa faccio
Track length3:03
No. 12, Voi che sapete
Track length2:50
No. 28, Aria. E amore un ladroncello
Track length3:29
No. 18, Vedrai, carino
Track length3:45
No. 28, Giunse alfin il momento – Deh vieni, non tardar
Track length5:26
Aria. Parto, ma tu ben mio
Track length6:03
Aria. Deh per questo istante solo
Track length6:39
Recit. Ecco il punto, oh Vitellia – Aria. Non più di fiori
Track length9:12

Awards and reviews

2010

Mozart wrote some of his most appealing music for the mezzo-soprano voice with the roles of Cherubino and Susanna in Le nozze di Figaro, Dorabella in Così fan tutte and Zerlina in DonGiovanni each boasting at least one memorable aria. Alongside these this disc includes a handful of concert arias including Ch'io mi scordi di te? which was written for the farewell performance of the great mezzo Nancy Storace with Mozart playing the concertante piano role. Here with as innate an interpreter of Mozart's piano writing as András Schiff and a voice so remarkably selfassured as Cecilia Bartoli's the electricity of that first, historic performance seems almost to be recreated. And, here as elsewhere, György Fischer directs the splendid Vienna Chamber Orchestra with disarming sensitivity while the recording is wonderfully warm and vibrant.
Cecilia Bartoli boasts a voice of extraordinary charm and unassuming virtuosity: her vocal characterisations would be the envy of the finest actresses and her intuitive singing is in itself a sheer delight. But she also brings to these arias a conviction and understanding of the subtleties of the language which only a native Italian could. Listen to the subtle nuances of 'Voi che sapete', the depth of understanding behind Dorabella's seemingly frivolous 'E'amore un ladroncello'; these aren't mere performances, but interpretations which cut to the very soul of the music. No Mozart lover should be without this CD.
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