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Brahms - Complete Lieder Edition Volume 7

Juliane Banse (Soprano), Iris Vermillion (Mezzo-Soprano), Andreas Schmidt (Baritone), Helmut Deutsch (Piano)

Brahms - Complete Lieder Edition Volume 7
Banse and Vermillion set up a lively dialogue between youth an age, innocence and experience in 'Sommerabend' and 'Der Kranz'. And the plangency within Banse's soprano makes her a properly...

Brahms - Complete Lieder Edition Volume 7

Juliane Banse (Soprano), Iris Vermillion (Mezzo-Soprano), Andreas Schmidt (Baritone), Helmut Deutsch (Piano)

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Banse and Vermillion set up a lively dialogue between youth an age, innocence and experience in 'Sommerabend' and 'Der Kranz'. And the plangency within Banse's soprano makes her a properly...

About

Contents and tracklist

No. 1, Sommerabend
Track length2:03
No. 2, Der Kranz
Track length1:42
No. 3, In den Beeren
Track length1:21
No. 4, Vergebliches Standchen
Track length1:41
No. 5, Spannung
Track length2:59
No. 1, Sommerabend
Track length2:31
No. 2, Mondenschein
Track length2:31
No. 3, Madchenlied
Track length1:39
No. 4, Ade!
Track length1:45
No. 5, Fruhlingslied
Track length1:22
No. 6, In Waldeseinsamkeit
Track length2:33
No. 1, Therese
Track length1:35
No. 2, Feldeinsamkeit (Alone in a Meadow)
Track length3:49
No. 3, Nachtwandler (Night Wanderer)
Track length3:48
No. 4, Uber die Heide (Across the Heath)
Track length1:51
No. 5, Versunken (Drowned)
Track length2:01
No. 6, Todessehnen (Yearning for Death)
Track length5:07
No. 1, Mit vierzig Jahren
Track length4:13
No. 2, Steig auf, geliebter Schatten
Track length2:51
No. 3, Mein Herz ist schwer
Track length2:06
No. 4, Sapphische Ode
Track length2:31
No. 5, Kein Haus, keine Heimat
Track length0:35

Awards and reviews

November 2004

Banse and Vermillion set up a lively dialogue between youth an age, innocence and experience in 'Sommerabend' and 'Der Kranz'. And the plangency within Banse's soprano makes her a properly waifish maiden in Brahms's conjuring of a Serbian 'Mädchenlied'. For the five songs of Op. 94, Schmidt reigns supreme. The nether regions of his baritone most eloquently express Rückert's reflections on reaching 40 in 'Mit vierzig Jahren'; and he becomes something of a Leiermann figure for the bleak 'Kein Haus, kein Heimat'.
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