The Vienna Philharmonic features on what was Karajan's last recording, an idiomatic account of Bruckner's Seventh Symphony, lighter and more classical in feel than either of his two Berlin recordings yet loftier, too. As for the Original-image bit-processing you need go no further than the first fluttered violin tremolando and the cellos' rapt entry in the third bar to realise how ravishingly 'present' the performance is in this reprocessing. Or go to the end of the symphony and hear how the great E major peroration is even more transparent than before, the octave drop of bass trombone and bass tuba 13 bars from home the kind of delightfully euphoric detail that in 1989 only the more assiduous score-reader would have been conscious of hearing. This remastered Seventh is definitely pure gold.