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Strauss, R: Eine Alpensinfonie, Op. 64

Berliner Philharmoniker, Herbert von Karajan

Strauss, R: Eine Alpensinfonie, Op. 64

Awards:

The Alpensinfonie is no longer a rarity on disc, but there are still grounds for preferring the famous Karajan version to subsequent digital rivals, especially in this successful remastering....

Strauss, R: Eine Alpensinfonie, Op. 64

Berliner Philharmoniker, Herbert von Karajan

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320 kbps, MP3

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No digital booklet included

Stream now lossless, 44.1 kHz, 16 bit

Awards:

The Alpensinfonie is no longer a rarity on disc, but there are still grounds for preferring the famous Karajan version to subsequent digital rivals, especially in this successful remastering....

About

Contents and tracklist

I. Nacht
Track length3:04
II. Sonnenaufgang
Track length1:28
III. Der Anstieg
Track length2:18
IV. Eintritt in den Wald
Track length2:57
V. Wanderung neben dem Bache
Track length2:38
VI. Am Wasserfall
Track length0:16
VII. Erscheinung
Track length0:51
VIII. Auf blumige Wiesen
Track length0:56
IX. Auf der Alm
Track length2:06
X. Durch Dickicht und Gestrüpp auf Irrwegen
Track length1:33
XI. Auf dem Gletscher
Track length1:17
XII. Gefahrvolle Augenblicke
Track length1:27
XIII. Auf dem Gipfel
Track length4:30
XIV. Vision
Track length3:40
XV. Nebel steigen auf
Track length0:17
XVI. Die Sonne verdüstert sich allmählich
Track length0:49
XVII. Elegie
Track length2:18
XVIII. Stille vor dem Sturm
Track length3:02
XIX. Gewitter und Sturm, Abstieg
Track length3:57
XX. Sonnenuntergang
Track length2:41
XXI. Ausklang
Track length6:02
XXII. Nacht
Track length2:45

Awards and reviews

2010

The Alpensinfonie is no longer a rarity on disc, but there are still grounds for preferring the famous Karajan version to subsequent digital rivals, especially in this successful remastering. Karajan's sureness of line is always impressive in Strauss and, while the Berlin Philharmonic Orchestra isn't at its immaculate best, some playing is magnificent here.
The sound remains rather fierce, but several passages have been substantially remixed, and the effect is certainly less constricted overall.
Perhaps it doesn't matter that the horn theme that floats in with the (still blinding) 'Sonnenaufgang' isn't quite aligned with the strings.
More worrying is the subtle transformation of the opening phrase of 'Der Ansteig': whereas we used to experience it 'from the bottom up' with the balance favouring the basses, we hear more cellos now – and most of them fluff the B flat! That said, the breadth and majesty of Karajan's conception is indisputable.
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