Shostakovich - Krokodil
Nadja Smirnova (soprano), Petr Migunov (bass), Marie Hallynck (cello), Arthur Schoonderwoerd (pianoforte), Graf Mourja (violin)
The two Russian singers deliver very expressive accounts of the vocal works, Nadja Smirnov in particular effecting a beautiful lyricism in the Blok cycle. Of the two extended instrumental works,...
Shostakovich - Krokodil
Nadja Smirnova (soprano), Petr Migunov (bass), Marie Hallynck (cello), Arthur Schoonderwoerd (pianoforte), Graf Mourja (violin)
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The two Russian singers deliver very expressive accounts of the vocal works, Nadja Smirnov in particular effecting a beautiful lyricism in the Blok cycle. Of the two extended instrumental works,...
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Contents and tracklist
Dmitri Dmitrievitch Chostakovitch:
Préface à l'édition complète de mes oeuvres et brèves réflexions sur cette préface, pour piano & basse, Op. 123
Work length2:26
- Arthur Schoonderwoerd, Petr Migunov
Dmitri Dmitrievitch Chostakovitch:
Trio pour violon, violoncelle & piano in E Minor, Op. 67
Work length26:21
- Graf Mourja, Arthur Schoonderwoerd, Marie Hallynck
Dmitri Dmitrievitch Chostakovitch:
Cinq Romances pour basse & piano, sur des textes extraits de la revue "Krokodil" n° 24 du 30 août 1965, Op. 121
Work length10:41
- Petr Migunov, Arthur Schoonderwoerd
Dmitri Dmitrievitch Chostakovitch:
Sept romances pour soprano, violon, violoncelle & piano, Op. 127
Work length23:36
- Graf Mourja, Marie Hallynck, Nadja Smirnova, Arthur Schoonderwoerd
- Arthur Schoonderwoerd, Nadja Smirnova
Dmitri Dmitrievitch Chostakovitch:
Quatre strophes du Capitaine Lebiadkine pour basse & piano, Op. 146
Work length12:49
- Arthur Schoonderwoerd, Petr Migunov
Awards and reviews
September 2004
The two Russian singers deliver very expressive accounts of the vocal works, Nadja Smirnov in particular effecting a beautiful lyricism in the Blok cycle. Of the two extended instrumental works, the performance of the Violin Sonata by Graf Mourja and Schoonderwoerd is especially convincing. The Second Piano Trio also receives a thoughtful rendition, with a surprising lightness of touch in the scherzo and a strongly delineated Passacaglia...