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Elgar: Enigma Variations

BBC Symphony Orchestra, Andrew Davis

Elgar: Enigma Variations

Awards:

These are four of the best Elgar performances on disc available. First, the recording is superb, with near-perfect balance and a really natural sound. Second, the playing of the BBC Symphony...

Elgar: Enigma Variations

BBC Symphony Orchestra, Andrew Davis

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44.1 kHz, 16 bit, FLAC/ALAC/WAV

$13.00

320 kbps, MP3

$10.00

No digital booklet included

Stream now lossless, 44.1 kHz, 16 bit

Awards:

These are four of the best Elgar performances on disc available. First, the recording is superb, with near-perfect balance and a really natural sound. Second, the playing of the BBC Symphony...

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Contents and tracklist

I Allegro piacevole
Track length3:37
II Larghetto
Track length5:57
III Allegretto
Track length2:56
I Theme
Track length1:28
II CAE
Track length1:55
III HDS-P
Track length0:44
IV RBT
Track length1:24
V WNB
Track length0:30
VI RPA
Track length2:15
VII Ysobel
Track length1:23
VIII Troyte
Track length0:58
IX WN
Track length1:54
X. Nimrod
Track length4:14
XI Dorabella
Track length2:33
XII GRS
Track length1:00
XIII BGN
Track length2:59
XIV *** [Romanza]
Track length2:52
XV EDU [Finale]
Track length5:17

Awards and reviews

2010

These are four of the best Elgar performances on disc available. First, the recording is superb, with near-perfect balance and a really natural sound. Second, the playing of the BBC Symphony Orchestra is first rate. Andrew Davis's conducting of all four works is inspired, as if he had forgotten all preconceived notions and other interpretations, gone back to the scores and given us what he found there. In Cockaigne, for example, the subtle use of ritardando, sanctioned in the score, gives the music that elasticity which Elgar considered to be an ideal requisite for interpreting his works. The poetry and wit of this masterpiece emerge with renewed freshness. As for the Enigma Variations, instead of wondering why another recording was thought necessary, you'll find yourself rejoicing that such a fine performance has been preserved to be set alongside other treasured versions.
Each of the 'friends pictured within' is strongly characterised by Davis, but without exaggeration or interpretative quirks. Tempos are just right and the orchestral playing captures the authentic Elgarian sound in a manner Boult would have recognised. Similarly, in the Introductionand Allegro, how beautifully the string quartet is recorded, how magical are the gentle and so eloquent pizzicatos which punctuate the flow of the great melody. The fugue is played with real zest and enjoyment. This is music on a large scale and is played and conducted in that way, whereas the early Serenade is intimate and dewy-eyed and that's how it sounds here.
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