Mingardo's singing instantly grabs the heart of the listener; it is not so much a narrative description of Mary's lament but more like a first-person tragic soliloquy that might brings an atheist...

Gramophone Magazine, October 2007

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Sara Mingardo (contralto)

Concerto Italiano, Rinaldo Alessandrini

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Mingardo's singing instantly grabs the heart of the listener; it is not so much a narrative description of Mary's lament but more like a first-person tragic soliloquy that might brings an atheist...

Gramophone Magazine, October 2007

More reviews

About

Release date: 9th Aug 2002
Label: Naive
Series: Vivaldi Edition
Catalogue number: OP30367
Length: 70 minutes
Genres:

Contents and tracklist

Vivaldi: Concerto in C major, RV 556, "per la solennita di S Lorenzo"

Work length11:54

I. Largo - Allegro molto

Track length5:00

II. Largo e cantabile

Track length3:03

III. Allegro

Track length3:51

Vivaldi: Clarae stellae, scintillate, RV625

Work length10:55

Clarae stellae, scintillate

Track length5:13

Coeli repleti iam

Track length0:43

Nunc iubilare

Track length2:20

Alleluia

Track length2:39

Vivaldi: Concerto in C major for violin, violoncello, organ & strings RV554a

Work length11:35

I. [Allegro]

Track length4:13

II. [Largo]

Track length3:50

III. Allegro

Track length3:32

Vivaldi: Concerto in B flat major, RV 579, "Concerto funebre"

Work length7:53

I. Largo

Track length2:33

II. Allegro poco andante

Track length2:59

III. Adagio - Allegro

Track length2:21

Vivaldi: Stabat Mater, RV621

Work length22:34

Stabat Mater dolorosa

Track length3:50

Cujus animam gementem

Track length2:30

O quam tristis

Track length1:50

Quis est homo

Track length3:02

Quis non posset

Track length2:56

Pro peccatis suae gentis

Track length1:51

Eja mater, fons amoris

Track length3:23

Fac ut ardeat

Track length1:55

Amen

Track length1:17

Vivaldi: Concerto for Strings in E flat major 'Sonata al Santo Sepolcro', RV130

Work length5:42

I. Largo molto

Track length3:27

II. Allegro ma poco

Track length2:15

Awards and reviews

October 2007

Mingardo's singing instantly grabs the heart of the listener; it is not so much a narrative description of Mary's lament but more like a first-person tragic soliloquy that might brings an atheist to tears. Rinaldo Alessandrini supervises with erudition and insight.

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