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Special offer. Britten: Albert Herring

Christopher Gillett (Albert), Josephine Barstow (Lady Billows), Gerald Finley (Sid), Ann Taylor (Nancy), Felicity Palmer (Florence Pike), Robert Lloyd (Budd), Peter Savidge (Mr Gedge), Della Jones (Mum), Susan Gritton (Miss Wordsworth), Stuart Kale (Mr Upfold)

Northern Sinfonia, Steuart Bedford

Britten: Albert Herring
Vivid as Hickox's traversal of the score for Chandos may be, Bedford's is just that much more alert, crisper. With his long experience of Britten in the theatre, dating back to Death in Venice...

Special offer. Britten: Albert Herring

Christopher Gillett (Albert), Josephine Barstow (Lady Billows), Gerald Finley (Sid), Ann Taylor (Nancy), Felicity Palmer (Florence Pike), Robert Lloyd (Budd), Peter Savidge (Mr Gedge), Della Jones (Mum), Susan Gritton (Miss Wordsworth), Stuart Kale (Mr Upfold)

Northern Sinfonia, Steuart Bedford

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2 CDs

Original price $21.50 Reduced price $17.20

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44.1 kHz, 16 bit, FLAC/ALAC/WAV

$18.00

320 kbps, MP3

$14.00

This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
Vivid as Hickox's traversal of the score for Chandos may be, Bedford's is just that much more alert, crisper. With his long experience of Britten in the theatre, dating back to Death in Venice...

About

Contents and tracklist

Act I Scene 1: Florence!
Track length4:14
Act I Scene 1: I hope we’re not too early
Track length3:01
Act I Scene 1: Stuffy! Tobacco stink!
Track length2:28
Act I Scene 1: Now then! Notebook, Florence!
Track length2:53
Act I Scene 1: The first suggestion on my list
Track length4:15
Act I Scene 1: Is this all you can bring?
Track length2:52
Act I Scene 1: Beggin' your pardon
Track length6:05
Act I Scene 1: Right! We’ll have him!
Track length2:51
Act I Scene 1: Interlude
Track length3:12
Act I Scene 2: Bounce me high, bounce me low
Track length3:03
Act I Scene 2: Shop! Hi Albert!
Track length3:41
Act I Scene 2: Sid, I’m sorry
Track length5:12
Act I Scene 2: Hi Sid! You forgot to pay for the herbs
Track length3:56
Act I Scene 2: Good morning, young man
Track length1:37
Act I Scene 2: We bring great news to you
Track length2:43
Act I Scene 2: Well! Think of that, my lad!
Track length2:38
Act II Scene 1: Interlude - Isn’t he here?
Track length2:28
Act II Scene 1: For three precious weeks
Track length0:54
Act II Scene 1: That’s a fine sight for sore eyes!
Track length2:56
Act II Scene 1: Quickly, quickly, come along!
Track length3:21
Act II Scene 1: I don’t think you ought
Track length1:06
Act II Scene 1: Quick, here they
Track length2:36
Act II Scene 1: Hush! Harold Wood!
Track length2:42
Act II Scene 1: I’m full of happines
Track length3:06
Act II Scene 1: Magnificent, your Ladyship
Track length1:57
Act II Scene 1: Fascinating, Mr Mayor
Track length2:24
Act II Scene 1: To make our thanks complete
Track length1:29
Act II Scene 1: Go on, Albert!
Track length1:50
Act II Scene 1: Well tried Albert!
Track length2:57
Act II Scene 1: Interlude
Track length7:10
Act II Scene 2: Albert the Good
Track length6:30
Act II Scene 2: Sounds like Sid serenading
Track length5:04
Act II Scene 2: Heaven help those
Track length5:20
Act II Scene 2: Albert! Fast asleep, poor kid
Track length2:56
Act III Interlude
Track length2:20
Act III: Is she asleep?
Track length3:09
Act III: What the hell d’you think I am?
Track length1:47
Act III: How’s the manhunt?
Track length5:45
Act III: Hi! Heard the news?
Track length3:01
Act III: Threnody - In the midst of life is death
Track length4:49
Act III: Albert?
Track length2:54
Act III: I can’t remember everything
Track length4:41
Act III: I didn’t lay it on too thick, did I?
Track length1:42

Spotlight on this release

  • Benjamin Britten

    24th Mar 2014by Maurice Millward

    Presto’s founder Maurice Millward sifts through a treasure-chest of Britten recordings and offers his thoughts on which paint the best portrait of this influential genius.

Awards and reviews

2010

Vivid as Hickox's traversal of the score for Chandos may be, Bedford's is just that much more alert, crisper. With his long experience of Britten in the theatre, dating back to Death in Venice under the composer's aegis, his timing carries unique authority and, in better sound than the old Decca set can now offer, he even has the edge over the composer's obviously definitive reading. Bedford's players are at least as accomplished as Hickox's, and are caught in a more immediate, less reverberant acoustic.
As for the singers, in almost every case Bedford's are the equal of, or superior to, Hickox's and several surpass Britten's. For instance, Albert was never one of Peter Pears's happiest assumptions; Christopher Gillett makes a more credible mother's boy and does well when he decides to break loose. Where the crucial role of Lady Billows is concerned, Josephine Barstow's commanding performance may not quite be on a par with Sylvia Fisher for Britten, but the difference is small. Susan Gritton gives us a dotty and cleanly sung Miss Wordsworth (Margaret Ritchie, the role's creator, must have sounded like this), Robert Lloyd is a simpleton of a Budd (as well sung as any), and Felicity Palmer makes a wonderfully fussy Florence Pike.
It only remains to laud once again the score's many delights as regards technical mastery and subtle characterisation, and to suggest you hurry off to enjoy a real bargain.

2010

Gillett in the title-tole has a clear, youthful-sounding tenor...What secures the set's success is the way that in the ensembles Bedford secures such crispness, wittily lifting rhythms, making the music swagger. At the Naxos reissue price this is a phenomenal bargain

March 2014

Steuart Bedford elicits crisp and witty playing from the Northern Sinfonia, with an outstanding cast headed by Christopher Gillett as a believably youthful Albert and Josephine Barstow suitably gorgon-like as the formidable Lady Billows. Felicity Palmer is on stentorian form as her housekeeper, Gerald Finley is raffish and sensual as Sid, and Susan Gritton's sweetly twittery schoolmistress stands out amongst the village worthies.
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