Vivaldi - Sacred Music 3
Susan Gritton, Catrin Wyn-Davies (sopranos), Catherine Denley (alto), Charles Daniels (tenor), Neal Davies, Michael George (basses)
King's Consort, Robert King
Here are two of Vivaldi's most extended and impressive psalm settings. These are the singlechoir Dixit Dominus, RV595 (Psalm 110), and double-choir Beatus vir, RV597 (Psalm 112).
Vivaldi set...
Vivaldi - Sacred Music 3
Susan Gritton, Catrin Wyn-Davies (sopranos), Catherine Denley (alto), Charles Daniels (tenor), Neal Davies, Michael George (basses)
King's Consort, Robert King
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Here are two of Vivaldi's most extended and impressive psalm settings. These are the singlechoir Dixit Dominus, RV595 (Psalm 110), and double-choir Beatus vir, RV597 (Psalm 112).
Vivaldi set...
About
The first release in The King's Consort's series of Vivaldi recordings was declared 'Best Vivaldi Recording of 1995' by the Vivaldi Institute in Venice. With this third volume we present five more large-scale choral works, including the rarely heard 'second' Dixit Dominus and two settings of the Beatus vir. RV597 is the famous one and includes the 'antifona' on the words 'Beatus vir' which recurs throughout the work to such great effect. Domine ad adjuvandum has been justifiably described as Vivaldi's 'most perfect' sacred composition and fully exploits the antiphonal potential of double choirs and orchestras: a work of great panache.
Contents and tracklist
- Catrin Wyn-Davies (soprano), Susan Gritton (soprano), Catherine Denley (contralto), Charles Daniels (tenor), Michael George (bass)
- King's Consort, King's Consort Choir
- Robert King
- Susan Gritton (soprano), Catrin Wyn-Davies (soprano), Catherine Denley (contralto)
- King's Consort, King's Consort Choir
- Robert King
- Neal Davies (bass), Michael George (bass), Susan Gritton (soprano), Catrin Wyn-Davies (soprano), Catherine Denley (contralto), Charles Daniels (tenor)
- King's Consort, King's Consort Choir
- Robert King
Awards and reviews
2010
Here are two of Vivaldi's most extended and impressive psalm settings. These are the singlechoir Dixit Dominus, RV595 (Psalm 110), and double-choir Beatus vir, RV597 (Psalm 112).
Vivaldi set both psalms more than once, and King's programme also includes the singlemovement Beatus vir, RV598, as well as the response, Domine ad adiuvandum me, RV593, and the conservatively styled Vesper psalm, Credidipropter quod, RV605. The King's Consort Choir make a lively and warm-textured contribution; the solo line-up is also strong; with Susan Gritton and Catrin Wyn-Davies providing an evenly matched, lightly articulated partnership in their two duets. Neal Davies and Michael George are splendidly robust in their vigorous 'Potens in terra' duet from Beatus vir (RV597). Catherine Denley gives an appropriately strongly inflected account of 'Judicabit in nationibus' but is intimate and tender in her beautiful 'De torrente in via bibet' (from Dixit).
The remaining soloist, Charles Daniels, delivers the virtuoso 'Peccator videbit' (Beatus vir, RV597) with lightness and comfortable agility.
Although consisting of only three movements, the G major Domine ad adiuvandum me, is easily on a level with the larger-scale pieces, its expressive warmth irresistible. This is a rewarding issue, spaciously recorded.