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Ombra mai fú

Airs, Overtures & Concerti

Andreas Scholl (counter-tenor)

Berlin Akademie for Alte Musik

Ombra mai fú

Awards:

Scholl at his inimitable best: superbly accomplished and fully inside each character in turn.

Ombra mai fú

Airs, Overtures & Concerti

Andreas Scholl (counter-tenor)

Berlin Akademie for Alte Musik

Purchase product

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$12.50

320 kbps, MP3

$10.00

No digital booklet included

Stream now lossless, 44.1 kHz, 16 bit

Awards:

Scholl at his inimitable best: superbly accomplished and fully inside each character in turn.

About

A stunning recital disc which helped establish Scholl as the first countertenor superstar. The sound is outstanding, the voice perfectly balanced, the orchestral sonorities richly detailed and displaying an impressive tonal depth. In short, the complete artist and the ideal recording.

Contents and tracklist

Ouverture
Track length5:55
Ballo di Larve
Track length3:18
Recitativo accompagnato "Orride larve"
Track length3:30
Aria "Chiudetevi, miei lumi"
Track length3:49
Sinfonia
Track length1:12
Recitativo "Frondi tenere"
Track length0:40
Arioso "Ombra mai fù"
Track length3:03
I. Passacaille
Track length4:33
II. Gigue
Track length1:03
III. Passepied
Track length0:32
IV. Rigaudon
Track length1:06
Sinfonia - Recitativo "Pompe vane di morte!"
Track length2:28
Aria "Dove sei?"
Track length5:01
Sinfonia
Track length1:34
Accompagnato "Sí, l'infida consorte"
Track length0:31
Aria "Confusa si miri"
Track length4:45
Aria "Verdi prati"
Track length3:50
I. Allegro
Track length3:22
II. Largo
Track length2:26
III. Allegro
Track length3:20
IV. Andante non presto
Track length3:29

Awards and reviews

Scholl at his inimitable best: superbly accomplished and fully inside each character in turn.

Scholl is pre-eminent among today's countertenors for the fine quality, roundness and power of his voice as well as for the artistry of its usage. In this new recital, the sheer opulence of tone impresses afresh, and its firmness make the more dramatic vibrancy of Daniel's seem somewhat loosely focused... the recitative in Admento shudders with the hopelessness of 'omai tornate', and, in the solo from Rodelinda, Bertardio confronts his own epitaph with convincing emotion.

The highlights are the Serse, Alcina and Cesare arias: Handel doesn't come lovelier than this.

Here is another guaranteed hit for this justifiably acclaimed German countertenor.

Handel recitals do not come much better than this... Glorious music, superlative singing.
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