Bach, J S: St Matthew Passion, BWV244
Anthony Rolfe Johnson, Andreas Schmidt, Barbara Bonney, Michael Chance, Cornelius Hauptman
The English Baroque Soloists, The Monteverdi Choir, The London Oratory Junior Choir, John Eliot Gardiner
What makes Gardiner's St Matthew Passion stand out in the face of stiff competition is, more than anything, his vivid sense of theatre. Bach's score is, after all, a sacred drama and Gardiner...
Bach, J S: St Matthew Passion, BWV244
Anthony Rolfe Johnson, Andreas Schmidt, Barbara Bonney, Michael Chance, Cornelius Hauptman
The English Baroque Soloists, The Monteverdi Choir, The London Oratory Junior Choir, John Eliot Gardiner
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What makes Gardiner's St Matthew Passion stand out in the face of stiff competition is, more than anything, his vivid sense of theatre. Bach's score is, after all, a sacred drama and Gardiner...
About
Contents and tracklist
- Patrick Russill (chorus master), Anthony Rolfe Johnson (tenor), Andreas Schmidt (baritone), Anne Sofie von Otter (contralto), Cornelius Hauptmann (bass), Ann Monoyios (soprano), Barbara Bonney (soprano), Olaf Bär (baritone), Howard Crook (tenor), Michael Chance (countertenor)
- English Baroque Soloists, Monteverdi Choir, The London Oratory Junior Choir
- Sir John Eliot Gardiner
- Recorded: 1988-04-06
- Recording Venue: "The Maltings", Concert Hall, Snape
No.27 Aria (Soprano, Alto, Chorus II): "So ist mein Jesus nun gefangen" - Chorus I / II: "Sind Blitze, sind Donner"
Track length5:27
No.33 Evangelist, Pontifex, Testis I / II: "Und wiewohl viel falsche Zeugen herzutraten"
Track length1:02
No.38 Evangelist, Ancilla I / II, Petrus, Chorus II: "Petrus aber sass draussen im Palast"
Track length2:18
No.41 Evangelist, Judas, Chorus I / II, Pontifex I / II: "Des Morgens aber hielten alle Hohepriester"
Track length1:43
No.45 Evangelist, Pilatus, Uxor Pilati, Chorus I / II: "Auf das Fest aber hatte der Landpfleger Gewohnheit"
Track length2:09
No.61 Evangelist, Jesus, Chorus I / II: "Und von der sechsten Stunde an" - "Der rufet dem Elias" - "Und bald lief" - "Halt!" - "Aber Jesus schriee abermal"
Track length2:03
No.63 Evangelist, Chorus I / II: "Und siehe da, der Vorhang im Tempel zerriss" - "Wahrlich, dieser ist Gottes Sohn" - "Und es waren viel Weiber da"
Track length2:27
No.66 Evangelist, Chorus I / II, Pilatus: "Und Joseph nahm den Leib" - "Herr, wir haben gedacht" - "Pilatus sprach zu ihnen"
Track length2:30
No.67 Recitative (Soprano,Alto,Tenor,Bass,Chorus II): "Nun ist der Herr zur Ruh gebracht" - "Mein Jesu, gute Nacht"
Track length1:36
Awards and reviews
2010
What makes Gardiner's St Matthew Passion stand out in the face of stiff competition is, more than anything, his vivid sense of theatre. Bach's score is, after all, a sacred drama and Gardiner interprets this aspect of the work with lively and colourful conviction. That in itself isn't sufficient to ensure a fine performance, but here we have a first-rate group of solo voices, immediately responsive choral groups and refined obbligato and orchestral playing. Anthony Rolfe Johnson declaims the Evangelist's role with clarity, authority and the subtle inflexion of an accomplished story-teller. Ann Monoyios, Howard Crook and Olaf Bär also make strong contributions but it's Michael Chance's 'Erbarme dich', tenderly accompanied by the violin obbligato, which sets the seal of distinction on the performance.
Singing and playing of this calibre deserve to win many friends and Gardiner's deeply felt account of Bach's great Passion does the music considerable justice. Clear recorded sound.
2010
an intense, dramatic reading which now makes a fine alternative choice, not just for period-performance devotees but for anyone not firmly set against the new authenticity.. The result is an invigorating, intense retelling of the story