Naxos
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Strauss: Der Rosenkavalier: Orchestral Suite and Waltz Sequences
Seattle Symphony Orchestra, Gerard Schwarz
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[Chung] She plays beautifully throughout the First and Second Sonatas, with a technique that is solid and more than competent for those two works, and showering Fuchs’s melodies with considerable... —
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Corelli's Band
Augusta McKay Lodge (violin), Doug Balliett (violone), Ezra Seltzer (baroque cello), Adam Cockerham (theorbo/baroque guitar), Elliot Figg (harpsichord)
[Lodge] Indeed, she manages a clarity and precision of tone throughout the recording that is all the more remarkable when one considers that it is coupled with a touch of warmth that prevents... —
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Hovhaness - Symphonies 4, 20 & 53
John Wallace (trumpet)
The Royal Scottish Academy of Music and Drama Wind Orchestra, Keith Brion
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Special offer. David Lang - Pierced
David Cossin (percussion), Felix Fan (cello), Andrew Russo (piano/synthesizer), Theo Bleckmann (vocals -appears courtesy of Winter and Winter) & Evan Ziporyn (bass clarinet)
Real Quiet & Boston Modern Orchestra Project, Gil Rose
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Special offer. Eugene Zádor: Celebration Music
Chamber Concerto, Suite for Horn & Strings and Percussion
Bálint Képíró (horn, Imre Kováts (horn), Zoltán Szőke (horn), Katalin Sarkady (piano), Budapest Symphony Orchestra MÁv, Mariusz Smolij
The performances are uniformly superb. Zádor writes demanding horn parts, with plenty of rapid solo work, quiet low notes, and coloristic effects, and all three horn players project a sense... —
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Martinu: Chamber Music with Flute
Fenwick Smith (flute), Sally Pinkas (piano), John Ferrillo (oboe), Thomas Martin (clarinet), Richard Ranti and Suzanne Nelson (bassoons), Haldan Martinson (violin) & Rhonda Ryder (cello)
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These elegantly crafted Sonatas from 1820 combine some of the thematic rigour of Beethoven with the ornate virtuosity of Weber. These are strongly committed and highly expressive performances. —
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