Naxos
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Rosemary Tuck is a fine player with a delicately flexible touch, and in the second Concertino - composed in 1841 and influenced by Chopin - she copes gracefully with every virtuoso challenge... —
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Donizetti: Alfredo il Grande
Gilda Fiume, Lodovico Filippo Ravizza, Antonio Garés, Floriana Cicìo, Valeria Girardello, Adolfo Corrado, Andrés Agudelo, Antonino Siragusa (tenor), Donizetti Opera Orchestra, Hungarian Radio Choir, Corrado Rovaris
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theirs is a more restrained passion, preferring explication rather than ecstasy. This is perhaps why the Azulejos' exquisite 'Oriental' is easily the best I've heard, on any instrument. —
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Purchase product
CD
$14.50 -
These Distances Between Us (21st-Century Songs of Longing)
Emily Jaworski Koriath (mezzo-soprano), Tad Koriath (piano), Jonathan Santore (electronics), Craig Brandwein (electronics)
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In each case the Quartetto Adorno make the most of the music’s tuneful glow and wide range of colours and textures, with Benedetta Bucci’s viola of ten relishing the spotlight. —
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Special offer. Ives: Orchestral Works
Orchestra New England, Orquesta Sinfónica de Navarra, James Sinclair
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Górecki: Concerto-Cantata
Carol Wincenc (flute) & Anna Górecka (piano), Anna Górecka (piano)
Warsaw Philharmonic Orchestra, Antoni Wit
The Concerto-Cantata (1992) receives its premiere recording here, and the Warsaw Philharmonic does it full justice, playing equally convincingly and intensely in the severe, concentrated slow... —
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It’s music of great resource and dramatic potency, even when the musical ideas themselves are not especially memorable. The performances from the Orchestra Sinfonica di Roma under Francesco... —
