Naxos
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Great Singers - Rosa Ponselle
American Recordings 1923-1929, Volume 1
Rosa Ponselle & Giovanni Martinelli (tenor)
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Special offer. Schoenberg: Moses und Aron
Wolfgang Schöne, Chris Merritt, Irena Bespalovaite, Bernhard Schneider, Michael Ebbecke, Karl-Friedrich Dürr, Ulrich Frisch, Saša Vrabac, Stephan Storck, Emma Curtis & Alois Riedel
Stuttgart State Orchestra, Stuttgart State Opera Chorus, Polish Radio Choir, Kraków & Stuttgart State...
There are excellent things in this bargain-price Moses und Aron… Perhaps most impressive is the natural way that the big ensembles flow, the multifarious counterpoint of voices and instruments... —
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A fine account —
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Steen-Nøkleberg is entirely inside this music. He manages to make the familiar pieces sound fresh, and the less familiar... are most imaginatively played. —
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I think it is safe to say at this point that Einar Steen-Nokleberg's ongoing transversal of the complete piano music of Grieg is the finest available before the public...riveting release.. —
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There is plenty of lovely music here. The project is executed with great skill and originality by Steen-Nokleberg. —
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...the Sonata and Concerto are played with all the crispness and clarity of expression demanded and at Naxos's excellent bargain prices is an excellent introduction. —
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Like Nicholas Lanier, his younger contemporary, Thomas Campion (1567-1620) is another of those remarkably versatile figures who played a major role in the flourishing secular arts of the Elizabethan... —
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Special offer. Rossini: Il barbiere di Siviglia (highlights)
Sonia Ganassi (mezzo-soprano), Franco de Grandis (bass), Ingrid Kertesi (soprano), Angelo Romero (bass), Roberto Servile (baritone), Ramon Vargas (tenor)
Budapest Failoni Chamber Orchestra, Hungarian Radio Chorus, Will Humburg
There are ways in which this brand-new super-budget recording of Il barbiere di Siviglia puts to shame just about every other version of the opera there has yet been. —
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Handel's six Op. 3 concertos never have suffered from overexposure in the CD catalog, and indeed the considerably greater attention given the later Op. 6 masterpieces is understandable and justified.... —
