Naxos
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Naxos could not have chosen better for their first volume of what promises to be an exciting series. —
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Lyapunov: Violin Concerto in D minor & Symphony No. 1
Maxim Fedotov (violin)
Russian Philharmonic Orchestra, Dmitry Yablonsky
If you have a soft spot for the late-Romantic violin concerto, you'll enjoy Lyapunov's...[Fedotov] produce[s] a rich sound from his instrument, and there's rarely a sense of strain in the more... —
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Coming soon. Music of Resilience
Solomiya Ivakhiv, Inso-Lviv Symphony Orchestra, Lviv National Philharmonic Symphony Orchestra, Roman Kreslenko, Serhii Khorovets
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José Serebrier: Symphony No. 3
Carole Farley (soprano), Yi Yao (accordion)
Toulouse National Chamber Orchestra, José Serebrier
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Percussion Music
Edward Cornelius (maracas), Raymond Desroches (bongo), George Boberg (wood block), Paul Price (claves), Paul Price (tom-toms), John Cage (piano), Raymond Desroches (tom-toms)
Manhattan Percussion Ensemble
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You can't go wrong with Masó … he is very sympathetic —
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Stopford: Sacred Choral Music
Grace Davidson (soprano), Choir of St Luke's, Chelsea, Chelsea Camerata and Jeremy Summerly
Too much at once, and it all becomes bland and soporif ic. But it ’s not easy to write choral music as sincerely meant as this: genuinely tuneful and popular, as well as being attractive and... —
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B. Sheng: The Blazing Mirage
Hui Li (pipa), Tong Wu (sheng), Trey Chui-yee Lee (cello), Sa Chen (piano), Pius Cheung (marimba)
Hong Kong Philharmonic Orchestra, Bright Sheng
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Tavener: Lament for Jerusalem
Angharad Gruffydd Jones (soprano) & Peter Crawford (counter-tenor)
Choir and Orchestra of London, Jeremy Summerly
As in much of Tavener's work, ritualistic repetition… is central. …if one accepts that this is a rite, not a dramatic, developing piece of Western symphonic music, the contained beauty can... —
