Naxos
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Despite a few slips in synchronicity, the orchestra brings this fun score to life with great momentum. —
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These interpretations are enormously pleasurable and at times revelatory. Always clean and never showy, Giltburg’s pianism is ideally suited to late Beethoven, and his touch throughout is light... —
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Whitbourn - Luminosity
and other choral works
Christopher Gillett (tenor), Levine Andrade (viola), Henry Parkes (organ), Andrew Ker (percussion) & Steffan Jones (percussion & tanpura), Desmond Tutu (speaker)
Commotio, Matthew Berry
The music itself proves striking enough in this glowingly committed performance by the Oxford chamber choir Commotio...superbly sympathetic. —
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Special offer. Wolf-Ferrari: La Vedova Scaltra
Anne-Lise Sollied, Maurizio Muraro, Emanuele D’Aguanno, Mark Milhofer, Riccardo Zanellato & Elena Rossi
Orchestra and Chorus of the Teatro La Fenice, Venice, Karl Martin (conductor) & Massimo Gasparon (director)
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Volume 31- Sturm und Drang Poets
Caroline Melzer (soprano) Konstantin Wolff (bass-baritone) & Ulrich Eisenlohr (piano)
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José Serebrier: Symphony No. 1
Gary Karr (double bass), David Daly (jazz bass), Matt King, Sacha Johnson (percussion), Duncan Riddell (violin), Ellen Marsden (cor anglais) & Simon Callow (narrator), Philippe Quint (violin)
Bournemouth Symphony Orchestra & Chorus, José Serebrier
Serebrier gets back to his roots in a couple of agreeable tangos but the First Symphony is a fascinating document from a teenage composer. —
