Naxos
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I cannot help feeling that the well-travelled Messiaen would have approved of the Klais organ in the Icelandic capital. It renders all the colours with forthright clarity and an atmospheric... —
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Charming Cello: Best loved classical cello music
Csaba Onczay (cello), Gabriel Schwabe (cello), Keith Hurvey (cello), Raphael Wallfisch (cello), Maria Kliegel (cello), Kristin Merscher (piano), Nina Tichman (piano), Nicholas Rimmer (piano), Ina-Esther Joost Ben-Sasson (cello), Allan Sternfield (piano), Michael Grebanier (cello), Janet Guggenheim...
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A set of technically skilled performances paying tribute to trumpet repertoire written in the last century. The brilliant brashness of the Maxwell Davies opening sonata is a highlight. —
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Special offer. Hutter: Secular Choral Music
Shannon Seay (soprano)
The Singers—Minnesota Choral Artists, Composers’ Choir, Philovox Ensemble, Matthew Culloton
Pleasant, if not hugely inventive, settings of English and US poets such as Blake and Whitman. Enjoyable performances, despite one or two ropey entries from the sopranos. —
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Classic Clarinet
Best Loved classical clarinet music
Per Billman (clarinet), Ernst Ottensamer (clarinet), Boris Rener (clarinet), Sibylla Rubens (soprano), Nikolaus Friedrich (clarinet), Ulrich Eisenlohr (piano), Peter Schmidl (clarinet), Pierre Pichler (basset horn), Madoka Inui (piano), József Balogh (clarinet), Teodora Miteva (cello), János Szepesi...
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Outstanding Oboe
Best Loved classical oboe music
Christian Hommel (oboe), Lisa Stewart (violin), Anthony Camden (oboe), Martin Gabriel (oboe), Olivier Doise (oboe), Alexandre Tharaud (piano), József Kiss (oboe), Jenö Jandó (piano), Stefan Schilli (oboe), Judit Kiss Domonkos (cello), Gábor Kósa (harpsichord), Charles Hamann (oboe), Stéphane Lemelin...
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[Intimate Letters] the New Zealand is marvelous throughout, maintaining a rich, deep sonority, with every instrument heard in perfect balance. —
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Daniel Lebhardt, the young Hungarian pianist who now lives in London, fully relishes these little gems. From the opening of the Eight Ländler one feels the pianist draw his listeners into Schubert’s... —
