Naxos
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Wissmer: Symphonies Nos. 2-4
Orchestre de la Suisse Romande, Orchestre Léon Barzin, Hungarian Symphony Orchestra, Edmond Appia, Jean-Jacques Werner, Alain Paris
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Malipiero: Fantasie di ogni giorno, Passacaglie & Concerti
Orchestra sinfonica di Roma, Francesco La Vecchia
La Vecchia conducts committed and beautifully paced readings of these often quizzical scores and gets full and wholehearted support from his orchestra. This very fine release is yet another... —
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Naxos September 2014 New Release Sampler
Benjamin Hulett (tenor), Michael Ludwig (violin), Matteo de Monti (baritone), Maria Luigia Borsi (soprano), Monica Groop (mezzo-soprano), Maxim Anisimov (clarinet), Christian Barthen (organ), Irina Kulikova (guitar), Jean-Pierre Armengaud (piano)
University Musical Society Choral Union, University...
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The Malcolm Smith Memorial Album
John Lill (piano), Leslie Howard (piano), Mark Bebbington (piano), Julian Jacobson (piano)
Holloway's stately six-hand Grand Heroical March...is riddled with quotation from pieces [Smith] admired...Julian Jacobson puts [Searle's] taxing but impressively rhetorical piece through its... —
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Love and Passion in Music
Takako Nishizaki (violin), Jan van Reeth, Richard Hayman Symphony Orchestra, Richard Hayman, Rivka Golani (viola), Slovak Radio Symphony Orchestra, Adrian Leaper, János Selmeczi, Polish National Radio Symphony Orchestra, Razumovsky Sinfonia, Brussels Philharmonic, Moscow Philharmonic Orchestra, Slovak...
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Orff: Carmina Burana
Ken'ichi Ishizu (baritone), Takanosuke Watanabe (tenor), Kyoko Ito (soprano)
Kunitachi College of Music Chorus, NHK Symphony Orchestra, Niklaus Aeschbacher
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The A–Z of Opera: 2nd Expanded Edition
Chen-Ye Yuan, Kurt Moll (bass), Inga Nielsen, Mariusz Kwiecień (baritone), Valerian Ruminski, Gloria Banditelli, Rosita Frisani, Mario Cecchetti, Mediterraneo Concento, Sergio Vartolo, Jana Valaskova, Ingrid Kertesi, János Berkes, Nicola Martinucci, Miriam Gauci, Eduard Tumagian, Miroslav Dvorský,...
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Biret’s own (unpublished) transcriptions splendidly achieve an authenticity in these live recordings. No 3’s poco allegretto is particularly touching, nostalgically haunting, and No 4’s always... —
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Paired religious settings (of the Miserer and De Profundis), including MacMillan's gravely beautiful Miserere. Gleaming work from the sopranos, but overall the impact is a trifle muted. —