Naxos
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Michael Haydn: Missa Sancti Nicolai Tolentini
Jenni Harper (soprano), Marko Sever (organ), Emily Owen (soprano), Helen Charlston (mezzo-soprano), St. Albans Cathedral Girls Choir, Lawes Baroque Players, Tom Winpenny
Largely upbeat, though not without its more reflective moments, Michael Haydn’s mass enjoys a spirited performance here, though a more robust choral sound would have been welcome. —
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Beethoven: The Nine Symphonies, Vol. 2
Symphonies Nos. 2 & 5
Royal Philharmonic Orchestra, Rene Leibowitz
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Giltburg’s playing allows every quality of the music to come across at full value: his approach avoids tendentious point-making, while also presenting something far more vivid and memorable... —
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In keeping with the character of both the Op 14 Sonatas, Giltburg’s approach is prevailingly lyrical...For me, the two standouts of the series thus far are Opp 13 and 22. I can think of no other... —
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Rimsky-Korsakov: Pan Voyevoda Suite, Sadko & other works
Elena Okolysheva (mezzo-soprano)
Moscow Symphony Orchestra, Igor Golovschin
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Great Violinists - Heifetz
Jascha Heifetz (violin)
London Philharmonic Orchestra, John Barbirolli, Thomas Beecham
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Bruch & Wieniawski: Violin Concertos
Mischa Elman (violin)
London Philharmonic Orchestra, Adrian Boult
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Let Voices Resound: Songs from Piae Cantiones
Carys-Anne Lane (soprano), Rebecca Outram (soprano), Helen Groves (soprano), Caroline Trevor (soprano)
Oxford Camerata Female Voices, Jeremy Summerly
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