Naxos
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Let Voices Resound: Songs from Piae Cantiones
Carys-Anne Lane (soprano), Rebecca Outram (soprano), Helen Groves (soprano), Caroline Trevor (soprano)
Oxford Camerata Female Voices, Jeremy Summerly
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Peter Dickinson - Mass of the Apocalypse
Peter Dickinson, John Flinders (pianos), Duke Dobing (flute), Revd Donald Reeves (speaker), Jo Maggs (soprano), Meriel Dickinson (mezzo-soprano), St James’s Singers, James Holland and David Johnson (percussion), John Alley (piano) & Henry Herford (baritone-speaker)
The Nash Ensemble, Ivor...
…the Larkin homage, and more particularly the Mass, remain the most substantial work, the latter announced by an all-too-predictable apocalyptic crash, but deftly contriving an imaginative interactive... —
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this earlier version is wistful and whimsical, and impeccably tasteful. —
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Bruch & Wieniawski: Violin Concertos
Mischa Elman (violin)
London Philharmonic Orchestra, Adrian Boult
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Special offer. Peter Boyer: Balance of Power (Orchestral Works)
Christine Pendrill (cor anglais), Bryn Lewis (harp), James Fountain (trumpet), London Symphony Orchestra, Peter Boyer
Boyer’s broad-brush cinematic works have the orchestral buoyancy of John Williams and the absorbing emotionalism of the late James Horner. The LSO sparkle in items like the rousing Fanfare for... —
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Flute Music from the Harlequin Years
Thies Roorda (flute), Alessandro Soccorsi (piano), Thies Roorda (piccolo)
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Albinoni: Complete Oboe Concertos
Anthony Camden (oboe), Alison Alty (oboe)
London Virtuosi, John Georgiadis
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