Naxos
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Rodrigo: Complete Orchestral Works, Vol. 5
Ricardo Gallén & Joaquín Clerch (guitars)
Asturias Symphony Orchestra, Maximiano Valdés
The Concierto madrigal is, like the Fantasía paraun gentilhombre, a tribute to times past though, since the first movement briefly tugs a forelock to Monteverdi, and the madrigal O felici occhimiei... —
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Beethoven: The Nine Symphonies, Vol. 2
Symphonies Nos. 2 & 5
Royal Philharmonic Orchestra, Rene Leibowitz
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Mozart: Requiem in D minor, K626
Maurizio Manara (organ), Marco Vincenzi (piano), Angela Nisi (soprano), Gaia Petrone (contralto), Antonio Masotti (bass), Massimo Lombardi (tenor), Alessandro Marangoni (piano)
Ars Cantica Choir, Marco Berrini
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Even die-hard fans will admit that Prokofiev's seven [symphonies] aren't always magnificent and Marin Alsop's elegant lucidity provides only a partial solution to the problem…she gets unfailingly... —
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I have admired all the discs in Idil Biret's Brahms series and make no exception for this one. —
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Let Voices Resound: Songs from Piae Cantiones
Carys-Anne Lane (soprano), Rebecca Outram (soprano), Helen Groves (soprano), Caroline Trevor (soprano)
Oxford Camerata Female Voices, Jeremy Summerly
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Peter Dickinson - Mass of the Apocalypse
Peter Dickinson, John Flinders (pianos), Duke Dobing (flute), Revd Donald Reeves (speaker), Jo Maggs (soprano), Meriel Dickinson (mezzo-soprano), St James’s Singers, James Holland and David Johnson (percussion), John Alley (piano) & Henry Herford (baritone-speaker)
The Nash Ensemble, Ivor...
…the Larkin homage, and more particularly the Mass, remain the most substantial work, the latter announced by an all-too-predictable apocalyptic crash, but deftly contriving an imaginative interactive... —
