Naxos

Despite doing without any of his most popular pieces, this third instalment of Sarasate's music for violin and orchestra makes a most attractive programme...Yang is splendidly equipped as a... — Gramophone Magazine, October 2011More…

for once, Prokofiev's Sovietised Fourth does not sound a bombastic and coarsened version of the original; rather, one hears striking and even disturbing echoes of several of his Soviet works...Polished... — BBC Music Magazine, December 2013, 5 out of 5 starsMore…

Wit and the orchestra are at their finest in the final movement, 'Song of Eternal Being' in which Karlowicz brings the cycle to a grandiose and optimistic close. — BBC Music Magazine, March 2009, 4 out of 5 starsMore…

All are played with elegance and where necesary, well-judged weight by the excellent Camerata Budapest. — South Wales EchoMore…

It's only to be hoped that the Kungsbackas Trio's survey of this somewhat neglected tranche of Haydn's output means to go on as it starts...what matters is the music; and any group that is willing... — Gramophone Magazine, January 2012More…

This is the set of Opus 18 we've been waiting for...This is natural music-making from people who seem to live this kind of music. — American Record GuideMore…

An excellent way of getting to know some of the most colourful scores of the late 19th-century St. Petersburg school. — CD ReviewMore…

Maria Kliegel's explosive musical imagination and phenomenal technique generate an enthralling realization of the Kodály solo sonata.....Another winner from Naxos, and further confirmation,... — FanfareMore…