Naxos
-
Springtime in Amsterdam - A Film By Christof Loy
Annette Dasch, Norman Reinhardt, Thomas Oliemans, Barry Atsma, Sunnyi Melles, Chorus of Dutch National Opera, Netherlands Philharmonic Orchestra, Metropole Orchestra, Dutch String Collective, Marko Letonja
-
Offenbach: La Périchole
Stéphanie d'Oustrac (La Périchole), Philippe Talbot (Piquillo), Tassis Christoyannis (Don Andrès de Ribeira), Eric Huchet (Don Miguel de Panatellas), Lionel Peintre (Don Pedro de Hinoyosa)
Orchestre de Chambre de Paris, Choir Les élémens, Julien Leroy, Valérie Lesort
-
Jean-Guillaume Bart's La Source
Ludmila Pagliero, Isabelle Ciaravola, Karl Paquette, Mathias Heymann, Ballet of the Paris Opéra, Orchestra of the Paris Opéra, Koen Kessels
-
Mozart: Così fan tutte
Valentina Naforniţa, Thomas Hampson, Sven-Eric Bechtolf, Benedetta Torre, Vasilisa Berzhanskaya, Matthew Swensen, Mattia Olivieri, Orchestra E Coro Del Maggio Musicale Fiorentino, Zubin Mehta
While Sven-Eric Bechtolf’s production plays modish games with meta-theatricality, it is anchored in the 18th century...Valentina Nafornita and Vasilisa Berzhanskaya are a well-matched pair of... —
-
Special offer. Lokumbe: Can You Hear God Crying?
Janice Chandler-Eteme (soprano), Rodrick Dixon (tenor), Homayun Sakhk (Afghan rubab), Paula Holloway (vocals) & Rev Dr Alyn E Waller (readings)
The Celebration Choir, Music Liberation Orchestra & Chamber Orchestra of Philadelphia, Dirk Brosse
-
Purchase product
CD
$14.50 -
Rameau: Les Fêtes de l'Hymen et de L'Amour
The New York Baroque Dance Company, Kalanidhi Dance, The Sean Curran Company & Opera Lafayette, Ryan Brown
The cast boasts two more excellent hautes-contre in Aaron Sheehan and Jeffrey Thompson…Brown, using the new critical edition by Thomas Soury, conducts the Opera Lafayette Orchestra and Chorus... —
-
-
Special offer. Wolf-Ferrari: La Vedova Scaltra
Anne-Lise Sollied, Maurizio Muraro, Emanuele D’Aguanno, Mark Milhofer, Riccardo Zanellato & Elena Rossi
Orchestra and Chorus of the Teatro La Fenice, Venice, Karl Martin
-
Nebolsin [is] comfortably among the finest interpreters of his generation. The Concerto No. 1 can hold its head up alongside almost any performance. —
