Naxos
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Among the most touching moments of the event is a six-hands Romance by Rachmaninov…in which Kissin and Trifonov are joined on the lowest part by the composer Rodion Shchedrin, now 85 but still... —
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Adam: Le Corsaire
Robert Gabdullin & Maria Yakovleva
Wiener Staatsballett & Orchester der Wiener Staatsoper, Valery Ovsianikov
This becomes the most generally attractive filmed version of Le corsaire. —
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Dvořák's Prophecy: Film 3
The Souls of Black Folk' and the Vexed Fate of Black Classical Music
Postclassical Ensemble
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Rossini: L’occasione fa il ladro
Patrick Kabongo (Don Eusebio), Vera Talerko (Berenice), Kenneth Tarver (Conte Alberto), Lorenzo Regazzo (Don Parmeniane), Giada Frasconi (Ernestina), Roberto Maietta (Martina), Virtuosi Brunensis, Antonino Fogliani
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Gioachino Rossini: l'Occasione Fa Il Ladro
Patrick Kabongo (Don Eusebio), Vera Talerko (Berenice), Kenneth Tarver (Conte Alberto), Lorenzo Regazzo (Don Parmeniane), Giada Frasconi (Ernestina), Roberto Maietta (Martina), Virtuosi Brunensis, Antonino Fogliani
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Special offer. Bizet: Carmen
Anna Caterina Antonacci (Carmen), Andrew Richards (Don José), Anne-Catherine Gillet (Micaëla), Nicolas Cavallier (Escamillo)
Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner, Adrian Noble
Gardiner injects plenty of period-instrument vim and vigour with his splendid Orchestre Révolutionnaire et Romantique, which takes Carmen back to her opéra comique roots. —
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Special offer. Benet Casablancas: l'Enigma Di Lea
Allison Cook (Lea), Jose Antonio Lopez (Ram), Sara Blanch (Primera dama), Anais Masllorens (Segunda dama), Marta Infante (Tercera dama), Sonia De Munck (Millebocche), Felipe Bou (Milleocchi), Xavier Sabata (Dr Schicksal), David Alegret (Michele), Antonio Lozano (Lorenzo), Juan Noval-Moro (Augusta),...
Cook rises superbly to the challenges of the title-role, singing with tremendous dramatic fire, admirably secure over the often immense spans of Casablancas’s vocal lines. —
