Mirare
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these are remarkably perceptive, stylish and penetrating readings that give this glorious music its full due. For a group that has been in existence for only five years this is an especially... —
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these are readings of considerable insight and overall quality. This is quartet playing of a high order, integrated, with each player seemingly fully cognisant of his colleagues' parts, the... —
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Saint-Saëns - Piano concertos Nos. 2 & 5
Brigitte Engerer (piano)
Ensemble Orchestral de Paris, Andrea Quinn
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W. F. Bach - Keyboard Works
Maude Gratton (harpsichord Philippe Humeau, Barbaste 2006 after Christian Zell, Hamburg 1728, clavichord Martin Kather 1999)
…the best single selection of WF Bach's keyboard music I've yet heard… Maude Gratton's instinct for programming reveals great maturity and perception, and her playing is simply captivating,... —
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Bach - Aus der Tieffen
Katharine Fuge (soprano), Carlos Mena (countertenor), Hans Jörg Mammel (tenor) & Stephan MacLeod (bass)
Ricercar Consort, Philippe Pierlot
Pierlot's instrumentalists are pleasingly attuned to each other's declamatory needs, resulting in a well-balanced and lucidly coloured ensemble. He favours the one-voice-to-a-part approach... —
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Purcell - Cease, Anxious World
Songs & chamber music
Benjamin Perrot (theorbe & direction)
La Rêveuse
Hassler's pure tone, delicate decorations, easy phrasing and profound connection to the poetry are complemented by La Rêveuse's ensemble of violins, triple harp, organ, harpsichord and theorbo. —
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Schubert: Mass No. 6 in E flat major, D950
Ensemble Vocal & Orchestre de Chambre de Lausanne, Michel Corboz
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A total triumph and arguably Queffélec's finest album to date. —
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Brahms: Piano Quintet
Jean-Frédéric Neuburger (piano), Andrea Hill (mezzo-soprano)
Modigliano Quartet
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