Linn
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Special offer. JS Bach: St John Passion
Nicholas Mulroy (Evangelista), Matthew Brook (Jesus), Robert Davies, Joanne Lunn & Clare Wilkinson
Dunedin Consort, John Butt
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Morris gives sensitive and stylish performances of both, and she’s ably supported by the Scottish Chamber Orchestra and its leader, Stephanie Gonley. Perhaps Morris has an occasional tendency... —
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Special offer. Debussy: La mer & Ariettes oubliées
Magdalena Kožená (mezzo), Deutsches Symphonie-Orchester Berlin, Robin Ticciati
Magdalena Kožená ’s voice is far from conventional in Debussy, and one might sometimes wish for more defined French diction, but her tone has a glowing inner radiance and access to a seemingly... —
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Special offer. The Hibernian Muse. Music for Ireland by Purcell and Cousser
Irish Baroque Orchestra, Sestina, Peter Whelan
Whelan’s alert direction ensures an effortless fluency that strikes a fruitful rapport between the well-matched vocal quartet and instrumental playing instinct with freshness and vitality. —
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Special offer. Chamber Music Highlights (Edinburgh International Festival)
Steven Osborne (piano), Julius Drake (piano), Gerald Finley (soloist), Daniel Heide (piano), Mari Eriksmoen (soloist), Gould Piano Trio (piano trio), Malcolm Martineau (piano), Elizabeth Watts (soloist), Roderick Williams (soloist), Chineke! Chamber Ensemble, Goldmund Quartet, Gringolts Quartet,...
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Barsanti’s Op. 3 concerti grossi (published in 1742) are exuberant and felicitous works, faintly Handelian in style (the two men knew each other) but infused to an even greater degree with an... —
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Kato perform[s] a series of complex marimba works by the Japanese composer Akira Miyoshi – abstract, Bartókian little puzzles that lurch between delicacy and violence. The centrepiece is his... —
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Special offer. Galuppi: Forgotten Arias of a Venetian Master
Gianluca Capuano, Il canto di Orfeo, Catherine King (mezzo-soprano)
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Special offer. Stravinsky: Chamber Works
Alexandra Heath (soprano), Juilliard School Ensemble, Royal Academy of Music, Barbara Hannigan
Hannigan and her players breathe with the music, not overworking the texture but keeping it light and airy...Alexandra Heath is balanced as a colleague rather than soloist, but her cutglass... —