Linn
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His mastery of the idiom is such that we only notice the music’s salon-like gentleness and intimacy, not the dextrous technique required to make it so. —
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Special offer. Copland & Chávez: Pan-American Reflections
The Orchestra of the Americas, Carlos Miguel Prieto
Despite some shakiness at the opening of Copland’s Symphony No. 3…the first movement develops a powerful momentum towards a crashing climax…The most searching, expressive playing comes in the... —
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Special offer. The Unknown Lover
Gothic Voices (early music ensemble), Stephen Charlesworth, Jonathan Arnold, Robert MacDonald, Catherine King (mezzo-soprano), Steven Harrold
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Special offer. J.S. Bach: Christmas Oratorio
The Dunedin Consort, John Butt, Nicholas Mulroy, Clare Wilkinson, Mary Bevan, Matthew Brook, Thomas Hobbs, Joanne Lunn, Konstantin Wolff, Ciara Hendrick, Rachel Redmond
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With so much good playing and such obvious musicality, this young pianist makes an auspicious debut. —
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Special offer. Bruckner: Symphonie No. 2 (arr. Anthony Payne)
Royal Academy of Music Soloists Ensemble, Trevor Pinnock
The scale of Bruckner’s symphonic vision and the weight of his musical ideas are certainly preserved, and the performance is indeed persuasive...There are too many sublime moments to pick out... —
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This is an original, often compelling performance. These musicians seamlessly integrate historically informed techniques such as an attractive portamento...there’s some impressive control of... —
