Linn
-
Special offer. The Trumpets That Time Forgot
Jonathan Freeman-Attwood (trumpet), John Wallace (trumpet) & Colm Carey (organ)
-
Cargill's beautifully integrated, smoky mezzo reveals the full stature of [Alma's] songs, just as Simon Lepper relishes their fearless piano writing...The Lieder eines fahrenden Gesellen welcome... —
-
His technique and touch are immaculate, his tempos are judicious and, without over-emphasis or eccentricity, he always phrases meaningfully...And his account of the alternatively plaintive and... —
-
Special offer. Mahler: Lieder eines fahrenden Gesellen (arr. Schoenberg)
Chamber Arrangements
Gareth Brynmor John (baritone), Katie Bray (mezzo)
Royal Academy of Music Soloists Ensemble, Trevor Pinnock
Gareth Brynmor John tunes in to Schoenberg's pungent and resinous arrangement, sweet with avian flute and violin, bittersweet in the dark, mesmeric breathing of the harmonium…[Berceuse elegaique]... —
-
Purchase product
Downloads
Audio formats guide -
Special offer. Richard Strauss: Metamorphosen & Symphony for Wind Instruments
Aldeburgh Strings, Aldeburgh Winds
Oboist-director Nicholas Daniel negotiates tempos and dynamics so carefully, bittersweetness has its head here. I love the timely consolations of the clarinet family at the one at the end of... —
-
Special offer. Handel: Apollo e Dafne
Callum Thorpe (bass), Mhairi Lawson (soprano)
Ensemble Marsyas, Peter Whelan
The dramatic cantata Apollo e Dafne is an obvious choice for Ensemble Marsyas’s first venture into vocal music. It oozes the sort of vibrant woodwind writing that is meat and drink to bassoonist... —
-
these ensemble pieces live on because they are so satisfying to play and such fun to hear...This new recording shows off the recent winners of the York Early Music International Young Artists... —
-
one rather sits up at the opening Praeludium of Grieg's Holberg Suite, flutter-tonguing and all...Throughout, the trumpet-playing of Freeman-Attwood is first class. But what makes this collection... —
-
Wallisch is in many ways a highly attractive Mozartian, commanding a beautiful (if rather opaque) tone, a discerning sense of proportion and a keen but discreet articulation, all complemented... —
