Linn
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Special offer. Haydn: The Creation
(sung in German)
Amanda Forsythe (soprano), Keith Jameson (tenor) & Kevin Deas (bass-baritone)
Boston Baroque, Martin Pearlman
[a] clean account, nicely scaled and finely balanced...There's skilful work throughout from the three soloists...Pearlman displays a keen sense of the music's shape and encompasses its range... —
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Rarely has a harpsichord been captured on disc with this blend of ambient warmth, definition and vibrant overtones...Halls allows rhythmic leeway for the ornaments to speak...In sum, there's... —
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Special offer. Mozart: Requiem
Joanne Lunn (soprano), Rowan Hellier (alto), Thomas Hobbs (tenor) and Matthew Brook (bass)
Dunedin Consort, John Butt
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Special offer. Mozart Piano Concertos Nos. 12, 13 & 14
The Chamber Version
Gottlieb Wallisch (piano)
Piatti Quartet
Wallisch is a robust, rather plain-speaking Mozartian, more concerned with the long view than poetic detail...There are good things in the two earlier concertos: say, the care for a broad, singing... —
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With each instrumental sound identical, it is all clear as day. Kuniko’s musicianship is colossal from bongo to piccolo…Hearing Kuniko’s voice in harmony with itself, and the forest of overtone... —
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Special offer. Hommage à Trois
William Berger (baritone), Carolyn Sampson (soprano)
Scottish Chamber Orchestra, Nicholas McGegan
The Scottish Chamber Orchestra's characterful accompaniments under Nicholas McGegan's expert baton prove adventurous at every turn. Berger's agile, lyrical high baritone is also impressive,... —
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Special offer. Wagstaff: Breathe Freely
Breathe Freely Ensemble: Paul Curievici (tenor), Phil Gault (baritone) and Laura Margaret Smith (mezzo-soprano) with Pete Furniss (clarinet), Mark Bailey (cello) & Andrew Johnston (piano)
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Special offer. Telemann: Recorder Sonatas and Fantasias
Pamela Thorby (recorder), Peter Whelan (bassoon), Alison McGillivray (cello), Elizabeth Kenny (archlute/guitar) & Marcin Świątkiewicz (harpsichord/organ)
Ensemble Marsyas
Thorby shows her alertness to the music's variety by ringing the changes in her continuo department…and in the fantasias from the sheer interpretative intelligence and authority with which she... —
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