Linn
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The Irish Baroque Orchestra play with devil-may-care aplomb. —
Awards:
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BBC Music Magazine, August 2016, Concerto Choice
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Special offer. Byrd: The Great Service & Anthems
Christian Wilson (organ)
Odyssean Ensemble, Colm Carey
Here is Byrd composing for Protestants: and what wondrous stuff it is – both a magnificent expression of the aesthetic liturgical leanings encouraged by Elizabeth I, and an anti-Calvinist celebration... —
Awards:
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Gramophone Magazine, December 2019, Critics' Choice
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Special offer. Giacomo Susani: A Screenshot of Now
Daniel Norman (tenor), Giacomo Susani (guitar), Tim Mead (tenor), Alexander Chance (countertenor), Chinwe D. John (narrator)
This is a rare find: a beautiful slow burner that gives up its treasures subtly. Hats off too to Linn Records for a vibrant, naturalistic sound. —
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Special offer. Corelli: Chamber Sonatas Opp. 2 & 4: Chamber Sonatas
The Avison Ensemble: Pavlo Beznosiuk (violin), Caroline Balding (violin), Richard Tunnicliffe (cello), Paula Chateauneuf (archlute), Roger Hamilton (harpsichord)
The Avison Ensemble captures their essence in graceful, finely controlled performances - by turns lyrical, fleet, playful, imbued with an effortless style that eschews mannerisms and fireworks... —
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the performances here are sprightly, clear and sensible. Nepomnyashchaya keeps to tight parameters when it comes to registration and ornamentation, nothing too adventurous or beyond the bounds... —
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Special offer. Sibelius: Finlandia, En Saga, The Swan of Tuonela, The Oceanides, Valse Triste, King Christian II Suite
BBC National Orchestra of Wales, Thomas Søndergård
Søndergård’s approach conjures a pulsing energy of the kind which seems to well up from within the music itself, rather than being driven from without; he also has a canny awareness of how a... —
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Special offer. Richard Strauss and the Viennese Trumpet
Jonathan Freeman-Attwood (trumpet), Chiyan Wong (piano)
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Special offer. Our Gilded Veins
Katherine Bryan (flute), Henry Clay (cor anglais)
Royal Scottish National Orchestra, Rory MacDonald
Suckling’s quiet close featuring (pre-recorded) bells is undeniably affecting. If it and Clyne’s elegy are the expressive focal points of the album, then Rosemary Furniss’s arrangement for strings... —
