Linn
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Cappella Nova's sound is lightweight and translucent… by and large the performances are successful, soaring and exultant. —
Awards:
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Gramophone Magazine, January 2008, Editor's Choice
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Thus there is the soloists suppleness and flexibility of phrase; but there is also the obvious enjoyment of pure sonority and tints and shades of tone. There is a lovely use of 'notes inegales'... —
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Gramophone Magazine, May 2017, Editor's Choice
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The orchestra is balanced upwards, cast loose from a compact bass line that is too discreet for its own good at those many points...But if the symphony’s ‘heavenly lengths’ have left you cold... —
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Presto Editor's Choice, November 2019
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by skilfully modulating their tone between the smooth and the raucous, the two clarinettists here contrive to minimise the absence of oboe timbre in what proves a lively and nicely nuanced reading...these... —
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Gramophone Magazine, February 2015, Editor's Choice
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Special offer. JS Bach: Harpsichord Concertos Nos. 1, 4, 6 & 7
Matthew Halls (harpsichord & director)
Retrospect Ensemble
The choice of one-to-a-part strings, while not confirmed by hard contemporary evidence, would avoid crowding out the coffee-drinking clientele. But such lean forces also create transparent textures,... —
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BBC Music Magazine, December 2012, Disc of the month
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Special offer. Bach, J S: Mass in B minor, BWV232
Susan Hamilton (soprano), Cecilia Osmond (soprano), Margot Oitzinger (alto), Thomas Hobbs (tenor) & Matthew Brook (bass)
Dunedin Consort & Players, John Butt (director)
Butt's players generate a lively sense of forward motion...No performance could better justify small-scale Bach than this convincing marriage of scholarship and inspiration. —
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Gramophone Magazine, August 2010, Editor's Choice
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The players of the upper lines are well matched in tone and approach, over purposeful continuo support and in clear textures, well caught by the recording. It’s a pleasure to hear this talented... —
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Gramophone Magazine, September 2019, Editor's Choice
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Special offer. Handel: Esther
RecommendedSusan Hamilton (Esther), Nicholas Mulroy (Mordecai), Matthew Brook (Haman), Thomas Hobbs (1st Israelite), Robin Blaze (Priest), James Gilchrist (Habdonah / Assuerus) & Electra Lochhead (Israelite Boy), Nicholas Wearne (organ continuo)
Dunedin Consort, John Butt
Paradoxically, a two-voices-to-a-part chorus achieves more immediacy than a larger choir, coupled with a stylish and delightfully intimate band. Yet again, Butt demonstrates that less can be... —
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Presto Recording of the Week, 14th May 2012
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Dreyfus’s transcriptions generate fresh insights into the workings of Bach’s contrapuntal ingenuity and humanity – the latter not least because of the communal nature of the discourse, liberated... —
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Gramophone Magazine, May 2021, Editor's Choice
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Lazaridis gives a supremely authoritative reading of the B minor Sonata, which is not only intensely committed but also deeply imaginative. His virtuoso credentials are impeccable, and are... —
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BBC Music Magazine, November 2006, Instrumental Choice
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