Ambronay
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Marais, M: Pièces en trio pour les flûtes, violon et dessus de viole
Michael Form (recorders & direction)
Aux Pieds du Roy
All four suites here (plus a lovely, isolated Plainte) are elegantly played and beautifully ornamented by Aux Pieds du Roy. —
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Polish Baroque - Pekiel and his Contemporaries
Ensemble Européen William Byrd & Ensemble Ventosum, Graham O'Reilly
There is much to enjoy here, and the disc can be warmly recommended to anyone prepared to investigate such unfamiliar fare. —
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You must take any steps to obtain this disc —
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João Rodrigues Esteves: Miserere, Lamentations & Stabat Mater
Alena Dantcheva, Els Janssens, Karine Serafin (Sopranos), Michel Geraud, Christophe Laporte, Christopher Royall (Altos), Adrian Brand, David Munderloh, Nicolas Robertson (Ténors) & Philippe Cantor, Matthieu Heim, Paul Willenbrock (Basses), Michèle Vandenbrouque (Doulciane), Mark Lambrecht (Violoncelle),...
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Scarlatti, A: La Giuditta
Céline Ricci (Giuditta), Adriana Fernandez (Ozias), Martín Oro (Oloferne), Mario Cecchetti (Capitano) & Bruno Rostand (Sacerdote)
Le Parlement de Musique, Martin Gester
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Handel: Judas Maccabaeus, HWV 63
Soledad de la Rosa (soprano), Mariana Rewerski (mezzo-soprano), Fabián Schofrin (counter-tenor), Makoto Sakurada (tenor), Alejandro Meerapfel (baritone) & Étienne Debaisieux (bass)
Choeur de Chambre de Namur & Ensemble Les Agrémens, Leonardo García Alarcón
...the choir scarcely puts a foot wrong and Les Agrémens play with panache. The pick of the soloists is Makoto Sakurada, who seems at ease in some of Handel's most punitive tenor writing. —
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Bach: Drama
Alejandro Meerapfel, Fabio Trümpy, Makoto Sakurada, Les Agrémens (early music ensemble), Céline Scheen, Christian Immler (bass-baritone), Clint van der Linde, Chœur de Chambre de Namur, Leonardo García Alarcón
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I enjoyed this disc. I particularly liked the engaging performances of the last movement from Schaffrath's sonata and the first allegro from Reichenauer. These are good examples of this ensemble's... —
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This is a good way of exploring that world and the performances are alive to all the nuances of the style in general and these pieces in particular, having given the first modern performances... —
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Special offer. Rosenmüller, Legrenzi & Stradella: Venezia
Manfredo Kraemer (conductor & violin)
The Rare Fruits Council
Unfamiliar though these pieces are, we are confronted here by persuasive accounts, some of quite breathtaking virtuosity. The forces required are constantly shifting, which makes for varied... —
