Ambronay
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Claudio Monteverdi - Astor Piazzólla
Quito Gato (theorbo, Fender guitar), William Sabatier (bandoneon) & Mariana Flores, Diego Flores (voice)
Cappella Mediterranea, Leonardo García Alarcón
the Piazzolla pieces here are very effective and beautifully played. —
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Monteverdi: Vespro della beata Vergine (1610)
Céline Scheen, Mariana Flores (sopranos), Fabián Schofrin (counter tenor), Fernando Guimarães, Zachary Wilder (tenors), Matteo Bellotto, Victor Torres (baritones) & Sergio Foresti (bass)
Choeur de Chambre de Namur & Cappella Mediterranea, Leonardo García Alarcón
gripping and highly atmospheric —
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Box of Secrets
Works by Agricola, Brumel, Josquin, De La Rue, Pipelare,Anon & Compere
Les Jardins de Courtoisie, Anne Delafosse-Quentin
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Special offer. Falvetti: Nabucco
Fernando Guimarães (Nabucco), Alessandro Meerapfel (Daniele), Fabián Schofrin (Arioco), Caroline Weynants (Anania), Mariana Flores (Azaria, Idolatria), Magdalena Padilla Osvaldes (Misaele), Matteo Bellotto (Eufrate), Capucine Keller (Superbia), Keyvan Chemirani (percussions) & Kasif Demiröz [ney]
Cappella...
Michelangelo Falvetti's 1683 Sicilian dialogo Nabucco is brought to life with a dazzling variety of Italian, North African and Turkish instruments. —
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…Glodeanu's… a fine player, producing a wonderfully rich, expressively varied tone on her Groblicz Baroque violin and showing intense involvement throughout with the style and content of the... —
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Il Canto Delle Dame
Recorded in the abbatial church of Ambronay (France) — 23-26th May 2010
Concerto Soave: María Cristina Kiehr (soprano), Amandine Beyer, Alba Roca (violins), Sylvie Moquet (viole de gambe), Mara Galassi (harp) & Jean-Marc Aymes (harpsichord, organ, direction)
[Kiehr] has achieved in this recital an even greater sensitivity and subtlety of expression than ever before...It is not just the performances that merit an 'IRR Outstanding' rating for this... —
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Hommages
Judith Gauthier, Rodrigo del Pozo, Christophe Einhorn & Jean-Louis Georgel
Le Parlement de Musique & La Maîtrise de Bretagne, Martin Gester
These performances, being live, are not unblemished, but have style and atmosphere, much of the latter being attributable to the church acoustic and the girls' voices of La Maîtrise de Bretagne.... —
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