Kings College
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Tecchler's Cello: From Cambridge to Rome
Guy Johnston (cello), Tom Poster (piano), Magnus Johnston (violin), Sheku Kanneh-Mason (cello)
Choir of King’s College, Cambridge, Orchestra of the Accademia di Santa Cecilia, Stephen Cleobury, Carlo Rizzari
Barrière’s amiable Sonata for Two Cellos in G major unites [Johnston] with fellow BBC Young Musicians of the Year Sheku Kanneh-Mason. It’s a delectably nuanced performance, capped by a finale... —
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Nico Muhly: To Stand In This House
Stephen Cleobury, The King's Singers and Choir of King's College, Cambridge, King's Singers, Choir of King's College Cambridge
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There are many subtleties in this set of performances. The intimate interplay between the crystalline solo of treble Tom Hopkins and his fellow choristers in Stanford’s Magnificat is one of... —
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Berkeley: This Endernight - Single
Marcus McDevitt, Rupert Scarratt, Harry Bradford, James Jenkins, Richard Gowers, Choir of King's College Cambridge, Stephen Cleobury
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Favourite Carols from King's
Adam Banwell (treble)
The Choir of King's College Cambridge, Stephen Cleobury
The choir's glory remains its boy trebles, whose gleaming descants, vibrato-free production and tonal freshness are invariably the icing on the cake in these typically polished, debonair performances. —
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The Music of King's
Choral Favourites from Cambridge
The Choir of King’s College, Cambridge, Stephen Cleobury
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Bach: St. Matthew Passion
James Gilchrist (Evangelist), Matthew Rose (Jesus), Sophie Bevan (soprano), David Allsopp (countertenor), Mark Le Brocq (tenor), William Gaunt (bass)
Academy of Ancient Music, Choir of King's College Cambridge, King's College School Choir, Stephen Cleobury
Cleobury steers an assured path between our traditional responses to the St Matthew Passion and one which reflects developing performing practices, vocal and instrumental, over the past half... —
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Duruflé: Requiem
Patricia Bardon (contralto), Ashley Riches (baritone)
The Choir of King's College Cambridge & Orchestra of the Age of Enlightenment, Stephen Cleobury
The unaccompanied Quatre Motets are neatly presented, if a touch glib and emotionally reticent. Probably the best performance here is of the Messe Cum Jubilo for baritones, where the singers’... —
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Cleobury is on peak form. Clearly he has had the music in his fingers and feet for many years: one is left with the sense that all problems were solved long ago…and of course, the King's College... —
