K617
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Scrupulous scholarship, masterful conducting and committed singing merge to restore the legacy of one of England's most inventive 16th-century composers. —
Awards:
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Gramophone Awards, 2008, Winner - Early Music
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It would be a shame if the lack of English translations of the sung texts put potential investigators off hearing this enjoyable survey of Schütz's richly expressive music. The sonorous acoustic... —
Awards:
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Gramophone Magazine, March 2007, Editor's Choice
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Gouvy: Sonata for piano & violin Op. 61, etc.
Jean-Pierre Wallez (violin), François-Joël Thiollier (piano)
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Le Tendre Amour and Luanda Siqueira, a Brazilian singing with 18th-century pronunciation, perform these little-known pieces with passion and vitality. —
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André Campra: Requiem & In convertendo
Robert Getchell (countertenor), Jean-François Novelli (tenor) & Marc Labonnette ('basse-taille' - lowest tenor voice)
Les Pages & les Chantres du Centre de musique baroque de Versailles, Orchestre des musiques anciennes et à venir, Olivier Schneebeli
The plaintive cry of the solo serpent kicks off the substantial Requiem, which...is, by turns, lyrical, exuberant and invariably inventive. The refreshingly uncluttered choral writing is nicely... —
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Haydn: Basset-horn Trios
Le Trio di Bassetto: Jean-Claude Veilhan, Éric Lorho & Jean-Louis Gauch (basset-horns)
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Heinrich Schütz - The Christmas Story
Claire Lefilliâtre (soprano), Hans-Jörg Mammel (tenor)
Choeur de Chambre de Namur, La Fenice, Jean Tubéry
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Grand Ball at the Court of Henry IV
Works by Praetorius & Guedron
Véronique Bourin (soprano)
Doulce Mémoire, Denis Raisin-Dadre
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Rigel: The departure from Egypt, etc.
Isabelle Poulenard (soprano), Philippe Do (tenor) & Alain Buet (baritone)
Les Folies Françoises & Les pages & les Chantres du centre de Musique Baroque de Versailles, Olivier Schneebeli
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