K617
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Buxtehude: Membra Jesu nostri, BuxWV75
Tanya Aspermeier, Stéphanie Révidat, Salomé Haller (sopranos), Rolf Ehlers (counter tenor), Julian Prégardien (tenor) & Benoit Arnould (bass)
La Chapelle Rhénane & La Maîtrise de Garçons de Colmar, Benoît Haller
…an experience that is warmly communicative, even if the intonation from the choir can be a little bit rough around the edges, and it is occasionally too quirky for an unreserved recommendation. —
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Mozart: Requiem in D minor, K626
Hjordis Thébault (soprano), Gemma Coma Alabert (alto), Simon Edwards (tenor) & Alain Buet (bass)
Grande Ecurie & Chambre du Roy, Jean-Claude Malgoire
The novelty here is the inclusion of Neukomm's Libera me, written… for a performance in Rio de Janeiro in 1819 - possibly the first in the New World. But it's good to hear Neukomm's impressive... —
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Charpentier, M-A: Leçons de Ténèbres, etc.
V. Dietschy, A. Zaepffel, S. Brahaspati, Z. Hussain
Ensemble Gradiva, Alain Zaepffel, Véronique Dietschy
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The Theater Of Musick
Music by Matthew Locke & Henry Purcell for the London Theatre
La rêveuse, Benjamin Perrot
The instrumental group of La Rêveuse is richly resonant, tautly coherent and capable of imbuing the music with energy and elegance. The sarabands, in particular, capture the dark fantasy in... —
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Le Retour De La Paix: Cantates et Concerts Royaux
Dorothée Leclair (soprano) & Martin Gester (harpsichord & direction)
Dorothée Leclair (soprano)
Le Parlement de Musique
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Handel: Messiah
Tanya Aspelmeier, Aurore Bucher, Stéphanie Révidat (sopranos), Julien Freymuth, Alessandro Giangrande, Kathrin Hildebrandt (altos), Henning Kaiser, Sebastien Obrecht, François Rougier (tenors), Ekkehard Abele, Manfred Bittner, Matthieu Lécroart (basses)
La Chapelle Rhénane, Benoît Haller
The interpretation of La Chappelle Rhenane and Benoit Haller comes across as truly sincere and therefore a pleasure to listen to. Of the recordings I already own of this work, this would be... —
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