Alto
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deeply probing, if not always fully engaged with the work's humour. —
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Affectionate performance that radiate charm from every musical pore, bringing the young lion's lighter side fully to life, even if the Quintet is now beginning to sound its age. —
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Louis Spohr: Octet, Clarinet Concerto & Nonet
Gervase de Peyer (clarinet)
Vienna Octet, London Symphony Orchestra, Fine Arts Quartet & New York Wind Quintet, Colin Davis
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Mozart: Symphonies 32, 35 ‘Haffner’, 36 ‘Linz’ & 38 ‘Prague’
Berlin Philharmonic Orchestra, Karl Böhm
These are sturdy, warm, sometimes suitably vigorous accounts, but lacking the fire of his greater contemporaries. —
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Mozart: Sinfonia Concertante & Violin Concertos Nos. 1 & 3
David Oistrakh (violin), Moscow Chamber Orchestra, Rudolf Barshai, Moscow Philharmonic Orchestra, Kirill Kondrashin
In these first-rate transfers, Oistrakh’s sparkling precision, tonal directness, and rhythmic buoyancy sound more alluring than ever. —
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