Hyperion
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The Danish horn player Ursula Paludan Monberg, thoroughly in command of her instrument, produces a miraculously smooth and agile line with secure tuning…the continuo section of Arcangelo, led... —
Awards:
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BBC Music Magazine, May 2020, Chamber Choice
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Sacred Music of Jan Dismas Zelenka
Carolyn Sampson, Rebecca Outram (soprano), Robin Blaze (countertenor), James Gilchrist (tenor), Michael George, Peter Harvey (bass)
Choir of the King's Consort & Kings Consort, Robert King
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Albinoni: 6 Sonata da chiesa Op. 4
Elizabeth Wallfisch (violin), Richard Tunnicliffe (cello) & Paul Nicholson (harpsichord)
The Locatelli Trio
In terms of poise and feeling, Albinoni's chamber music surpasses his more celebrated Venetian contemporary, Vivaldi. Mellifluous performances, warmly engineered. —
Purchase product
2 CDs
$17.50 -
Duruflé: Requiem
RecommendedAnn Murray (mezzo soprano), Thomas Allen (baritone), Thomas Trotter (organ)
Corydon Singers, English Chamber Orchestra, Matthew Best
Awards:
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Building a Library, November 2002, First Choice
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By approaching Tallis with authority, the singers of The Cardinall’s Musick illuminate his complex masterpieces —
Awards:
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Building a Library, March 2018, Also Recommended
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Maxwell Davies - Sacred choral music
Robert Quinney (organ)
Choir of Westminster Cathedral, Martin Baker
Under David Hill and subsequently James O'Donnell the choir of Westminster Cathedral established a tradition of excellent recordings for Hyperion. That tradition is as strong as ever under Martin... —
Awards:
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Gramophone Magazine, July 2004, Editor's Choice
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Reger: Choral Music
with Alice Gribbin (soprano) & Christopher Glynn (piano)
Consortium, Andrew-John Smith
The performances are fine indeed, but more than anything, it's the music itself that strikes you - it's both utterly unique and breathtakingly beautiful...Andrew-John Smith's group are perfectly... —
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The Songs of Robert Schumann - Volume 9
Felicity Lott (soprano), Ann Murray (soprano), Graham Johson (piano)
In the piano pieces and songs alike, Johnson plays with luminous tone and a natural feeling for Schumannesque rubato. And as ever, his sleeve notes alone are worth the price of the disc —
Awards:
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Gramophone Magazine, February 2005, Editor's Choice
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