Hyperion
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The Romantic Piano Concerto 49 – Stenhammar
Seta Tanyel (piano)
Helsingborg Symphony Orchestra, Andrew Manze
Manze was a shrewd choice of conductor, as was Seta Tanyel as soloist, a pianist whose lyrical grace is matched by a no-holds-barred bravura… —
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Howard, catching the authentic tinge of hysteria, mounts swiftly upwards in an ecstasy that burns away awareness of mere notes —
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Songs by Schubert’s friends and contemporaries
Eighty-one songs by forty composers who lived and worked during Schubert’s lifetime
Susan Gritton, Ann Murray, Stella Doufexis (soprano), Mark Padmore (tenor), Gerald Finley (bass) & Graham Johnson (piano)
Abetted by Johnson's lucid pianism, the singers nicely judge the scale and character of their allotted songs. Susan Gritton, her timbre, richer and more flavoursome than a decade ago, is equally... —
Awards:
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Gramophone Magazine, July 2006, Editor's Choice
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Cloudburst is the central piece here, a dazzling kaleidoscope of busy clamour, arcing lyricism, solo and spoken passages, sighing, handbells, wind chimes, inter alia. Whitacre was only 22 when... —
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His idiomatic grasp and utter reliability remain as admirable as in earlier instalments. Excellent sonics and informative notes by the performer —
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Poulenc: The Complete Songs
Graham Johnson (piano), Ailish Tynan (soprano), Dame Felicity Lott (soprano), Geraldine McGreevy (soprano), Pierre Bernac (narrator), Ben Johnson (tenor), Sarah Fox (soprano), Christopher Maltman (baritone), Ivan Ludlow (baritone), Brandon Velarde (baritone), Robin Tritschler (tenor), Robin Tritschler...
The greatest hero of the set remains Graham Johnson himself. As well as writing the booklet notes and organising the whole adventure, Johnson proves himself to be the most sensitive and accomplished... —
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Here is a follow-up to the recording of Louis Spohr’s first two symphonies that I praised last October … Shelley gets both delicacy and passion from the excellent orchestra —
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The Romantic Piano Concerto 30 - Lyapunov
Hamish Milne (piano)
BBC Scottish Symphony Orchestra, Martyn Brabbins
Milne, as usual, offers resilient rhythms and tightly focused phrasing marked by a refreshing attention to detail … you’re unlikely to hear a better performance of this repertoire in the foreseeable... —
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Howard’s interpretation … displays irreproachable technical and digital mastery —