Hyperion
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The Hyperion Schubert Edition - Complete Songs Volume 22
An 1815 Schubertiad (II)
Lorna Anderson (soprano), Catherine Wyn-Rogers (mezzo soprano), Jamie Macdougall (tenor), Simon Keenlyside (baritone), Graham Johnson (piano), Patricia Rozario (soprano), Catherine Denley (alto), John Mark Ainsley (tenor), Michael George (bass)
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The Hyperion Schubert Edition - Complete Songs Volume 13
Lieder Sacred and Profane
Marie McLaughlin (soprano), Thomas Hampson (baritone), Graham Johnson (piano)
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Hewitt has few equals in Messiaen. The very early Préludes (Messiaen was studying with Dukas when he wrote them) mightn't seem the ideal repertory in which to demonstrate this, but she plays... —
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Purchase product
CD
$17.50 -
They are nearly 30 strong and go for a particular type of effect - full-bodied, monumental, and replete with the best type of churchy, echoey sound, designed to transfigure a large building. —
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Rubinstein: Piano Quartets
Leslie Howard (piano), Rita Manning (violin), Morgan Goff (viola) & Justin Pearson (cello)
this is an impassioned, convincing first recording. —
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showcases some wonderful polyphony, full of vim and contrapuntal delight. Lovely moments and elegant phrasing… —
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Driver proves at once with the first Novellette that he is alive to the composer's robust, macho side and its inverse, those luminescent and melting atmospheres...This is, in short, engaging... —
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The Fourth Symphony (with Litton supported in the extraordinarily complex writing by the assistant conductor, Daniel Rechev) emerges as a masterpiece...The sound, though not the most immediate,... —
