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Listening to performances of such high intensity, focus and narrative power as this makes you long for the full EFO to stop bringing us bits and pieces and record some (or all) of Tubin’s symphonies. —
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J S Bach - Fantasia Cromatica, sonates & transcriptions
Yves Rechsteiner (harpsichord & pedal board)
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Dom Quichotte
Cantatas & Comic Concertos
Dominique Visse (countertenor) & Céline Frisch (organ, harpsichord)
Café Zimmermann
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Beethoven - Piano Concertos Nos. 4 & 5
Arthur Schoonderwoerd (fortepiano)
Cristofori Ensemble, Nachtmusique
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Frescobaldi: Canzoni
Les Basses Réunies (violone, basse de violon, tenor violins, cornett, harpsichord, claviorganum, theorbo, harp)
Bruno Cocset
Strummed, plucked bowed or blown - the notes unfailingly enchant, enveloping the listener in a penumbra of subtle textures. Frescobaldi's experiments with non-keyboard instruments have seldom... —
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Mass for the Feast of St Michael & All His Angels
A reconstruction of the ordinary practice of High Mass in the seventeenth century
Freddy Eichelberger (organ Juvigny-sur-Marne), Michel Godard (serpent)
Ensemble vocal Ludus Modalis: Bruno Boterf (tenor & direction), Vincent Bouchot, François Fauché (baritones)
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Bach - Entre Parodies & Transcriptions
Raphaël Oleg (violin) & Vincent Dubois (organ, Jean-Daldosso de Guignicourt 2003)
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Seyvos: Max Et Les Maximonstres
Choeur de jeunes filles Caecilia, Ensemble Suonare e Cantare, Jean-Pierre Seyvos
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